{"id":2327,"date":"2021-10-04T11:05:56","date_gmt":"2021-10-04T09:05:56","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2327"},"modified":"2021-10-07T13:41:02","modified_gmt":"2021-10-07T11:41:02","slug":"clelia-nau-feuillages-lart-et-les-puissances-du-vegetal","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/clelia-nau-feuillages-lart-et-les-puissances-du-vegetal\/","title":{"rendered":"Cl\u00e9lia Nau \u00ab\u00a0Feuillages. L’Art et les puissances du v\u00e9g\u00e9tal\u00a0\u00bb"},"content":{"rendered":"

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Cl\u00e9lia Nau est ma\u00eetre de conf\u00e9rences en histoire et th\u00e9orie de l\u2019art. Elle est membre du laboratoire CERILAC au sein de l\u2019axe EMOI.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 Hazan<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

Il \u00e9tait urgent de redonner voix aux feuillages, longtemps rel\u00e9gu\u00e9s aux marges de l\u2019art. Cette forme \u00e0 la fois volatile et d\u00e9taill\u00e9e, massive et foliac\u00e9e, a dans les images un mode d\u2019existence aussi captivant que d\u00e9concertant. Elle a besoin, pour \u00eatre, d\u2019absorber l\u2019air, de synth\u00e9tiser la radiation solaire. Elle fait du \u00ab bruit \u00bb et, dou\u00e9e d\u2019une irr\u00e9pressible vitalit\u00e9, elle tend \u00e0 prolif\u00e9rer. Quelle sorte de regard les peintres, mais aussi les photographes et les cin\u00e9astes ont-ils port\u00e9 sur ces feuillages ? Quelle fonction leur ont-ils assign\u00e9e ? Par quels moyens ont-ils saisi l\u2019invisible m\u00eame : le bruissement du vent dans les feuilles, les forces muettes et myst\u00e9rieuses de la croissance, du bourgeonnement et de la germination ? Richement illustr\u00e9, cet ouvrage traque les puissances du v\u00e9g\u00e9tal au plus pr\u00e8s. Il nous invite \u00e0 consid\u00e9rer les oeuvres autrement, selon un point de vue non plus exclusivement humain, \u00e0 r\u00e9int\u00e9grer dans l\u2019analyse des images ces moments de trouble, de gr\u00e2ce et d\u2019intensit\u00e9. Au fil des pages, se constitue ainsi une nouvelle \u00ab \u00e9cologie des formes \u00bb qui r\u00e9-enracine l\u2019activit\u00e9 cr\u00e9atrice dans l\u2019\u00e9nergie m\u00eame du vivant. Il nous apprend \u00e0 regarder les oeuvres autrement, selon un point de vue non plus exclusivement humain, non plus syst\u00e9matiquement index\u00e9 sur la traditionnelle hi\u00e9rarchie institu\u00e9e entre les r\u00e8gnes.
Ce que l’auteur promeut, c’est une nouvelle \u00a0\u00bb \u00e9cologie des formes \u00a0\u00bb : les \u00e9l\u00e9ments inclus dans l’espace de la repr\u00e9sentation sont \u00e0 penser comme appartenant tous \u00e0 une m\u00eame communaut\u00e9 solidaire de vivants. Con\u00e7u comme une sorte de cabinet de curiosit\u00e9s v\u00e9g\u00e9tales, l’ouvrage entend enfin sugg\u00e9rer que l’art est peut-\u00eatre l’un des derniers lieux o\u00f9 le lien de l’homme avec la nature, si souvent questionn\u00e9 et partout menac\u00e9, trouve encore \u00e0 se red\u00e9finir et \u00e0 se pr\u00e9server.<\/p>\n

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