{"id":2324,"date":"2021-10-04T11:00:11","date_gmt":"2021-10-04T09:00:11","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2324"},"modified":"2021-10-07T13:43:05","modified_gmt":"2021-10-07T11:43:05","slug":"clelia-nau","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/clelia-nau\/","title":{"rendered":"Cl\u00e9lia Nau \u00ab\u00a0Machine-aquarium. Claude Monet et la peinture submerg\u00e9e\u00a0\u00bb"},"content":{"rendered":"

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Cl\u00e9lia Nau est ma\u00eetre de conf\u00e9rences en histoire et th\u00e9orie de l’art. Elle est membre du laboratoire CERILAC au sein de l’axe EMOI.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 M\u00e9tispresses<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Cet ouvrage se propose de reconsid\u00e9rer l’oeuvre de Claude Monet \u00e0 l’aune d’un dispositif nouveau, invent\u00e9 au XIXe si\u00e8cle, et qui suscite aussit\u00f4t l’int\u00e9r\u00eat du cin\u00e9matographe naissant : l’aquarium. L’aquarium est une machine \u00e0 voir autrement, tel un diorama liquide o\u00f9 les choses vont comme en apesanteur et flottant. Il est aussi tr\u00e8s vite con\u00e7u comme un dispositif mental, frayant avec les profondeurs de l’\u00e2me, avec ce qui commence tout juste de s’appeler l’inconscient.
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Cl\u00e9lia Nau \u00e9voque cette machine \u00e0 r\u00eaver en parall\u00e8le au monde vitr\u00e9 et v\u00e9g\u00e9tal du peintre impressioniste, faisant de l’aquarium et de ses tableaux-\u00e9pigones une machina memorialis : une machine \u00e0 mettre en branle la m\u00e9moire autant qu’\u00e0 ranger les souvenirs accumul\u00e9s dans des lieux compartiment\u00e9s et fantasmagoriques.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n

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