{"id":2230,"date":"2022-02-17T16:12:18","date_gmt":"2022-02-17T15:12:18","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2230"},"modified":"2023-10-24T15:35:56","modified_gmt":"2023-10-24T13:35:56","slug":"seminaire-2021-2022-de-laxe-architecture-et-arts","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/seminaire-2021-2022-de-laxe-architecture-et-arts\/","title":{"rendered":"S\u00e9minaire 2021-2022 de l’axe \u00ab\u00a0Architecture et Arts\u00a0\u00bb"},"content":{"rendered":"

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\u00a9 Tous droits r\u00e9serv\u00e9s<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

S\u00e9minaire commun CERILAC \u2013 \u00c9cole d\u2019architecture ENSAPVS\u00a0<\/h2>\n

Ambiance, atmosph\u00e8re, g\u00e9nie des lieux<\/h3>\n

\"\"<\/p>\n

Programme t\u00e9l\u00e9chargeable<\/a><\/p>\n

Ambiance, atmosph\u00e8re,\u00a0milieu\u00a0et\u00a0espace v\u00e9cu\u00a0ont envahi l\u2019ensemble du discours contemporain jusqu\u2019\u00e0 devenir le m\u00e9dium lui-m\u00eame saisi au travers de sa tonalit\u00e9 affective.\u00a0Ces ph\u00e9nom\u00e8nes \u00e0 la fois climatiques et affectifs sont devenus\u00a0une dimension fondamentale de\u00a0l\u2019existence, et\u00a0il n\u2019est pas de domaine qui en r\u00e9chappe, ne les produise\u00a0ou les interroge :\u00a0le paysage, l\u2019urbain, l\u2019architecture, la peinture et la musique, la sc\u00e9nographie,\u00a0le film\u00a0et la publicit\u00e9, la sociologie, la philosophie et l\u2019esth\u00e9tique.<\/p>\n

La diversit\u00e9 des approches se diffracte aussi avec la polys\u00e9mie des notions, car entre ambiance, atmosph\u00e8re,\u00a0Stimmung<\/em>\u00a0ou\u00a0Mood<\/em>, il se dit des ph\u00e9nom\u00e8nes \u00e0 la fois parents et poreux mais pourtant distincts. Ce s\u00e9minaire se propose de faire le point sur les recherches en cours en mettant l\u2019accent sur les enjeux qui en d\u00e9coulent pour l\u2019architecture et le projet architectural, pour l\u2019esth\u00e9tique et la compr\u00e9hension existentielle et anthropologique des espaces v\u00e9cus\u00a0et produits.<\/p>\n

Bibliographie indicative\u00a0<\/h4>\n

Atmosph\u00e8res, philosophie, esth\u00e9tique, architecture<\/em>, Les cahiers philosophiques de Strasbourg, PU de Strasbourg, 2019<\/p>\n

Exercices d\u2019ambiances<\/em>, Revue Communications, n\u00b0102, 2018<\/p>\n

L\u2019usage des ambiances<\/em>,<\/em> Colloque de Cerisy (2018), sous la direction de D. Tallagrand, J.-P. Thibaud, N. Texier, \u00c9ditions Hermann, 2021<\/p>\n

Bruce B\u00e9gout, Le concept d\u2019ambiance, <\/em>\u00a0Paris, Seuil, 2020<\/p>\n

Z\u00e9ropolis<\/em>, \u00e9d. Allia 2002<\/p>\n

Lieu commun, le motel am\u00e9ricain<\/em>, \u00e9d. Allia 2003<\/p>\n

Philippe Bonnin (dir), \u00a0Architecture, Espace pens\u00e9, espace v\u00e9cu<\/em>, \u00e9d. Recherches, 2007<\/p>\n

Gernot B\u00f6hme, The Aesthetics of Atmopheres<\/em> (edited by J.-P Thibaud) London Routledge, 2018<\/p>\n

Atmospheric Architectures<\/em>, London, Bloomsbury, 2017<\/p>\n

Pour une esth\u00e9tique de l\u2019exp\u00e9rience sensible, <\/em>Gen\u00e8ve, Les Presses du r\u00e9el, 2020<\/p>\n

Tonino Griffero, Atmospheres\u00a0: Aesthetics of emotional Spaces, <\/em>Farnham, Ashgate, 2014<\/p>\n

St\u00e9phane Jonas et Francis Weidmann, Simmel et l\u2019espace\u00a0: de la ville d\u2019art \u00e0 la m\u00e9tropole<\/em>, Paris, L\u2019Harmattan, 2006<\/p>\n

Edward T. Hall, La Dimension cach\u00e9e<\/em>, Seuil, Point Essais, 1978<\/p>\n

Pierre Kaufmann, L’exp\u00e9rience \u00e9motionnelle de l’espace, Vrin, 2000<\/p>\n

Henri Lefebvre, La Production de l\u2019espace,<\/em> \u00e9d. Economica, 2000 (4e<\/sup> \u00e9dition)<\/p>\n

Henri Maldiney, Regard Parole Espace,<\/em> Lausanne, L\u2019\u00e2ge d\u2019Homme, 1973<\/p>\n

Juhani Pallasma, Le regard des sens,<\/em> Paris, \u00c9ditions du Linteau, 2010<\/p>\n

Georges Perec, Esp\u00e8ces d\u2019espaces<\/em>, Paris Galil\u00e9e, 1985<\/p>\n

Philippe Rahm, Ecrits climatiques<\/em>, Editions B2.com<\/a>, 2020<\/p>\n

Hermann Schmitz, Br\u00e8ve introduction \u00e0 la nouvelle ph\u00e9nom\u00e9nologie<\/em>, Le Cercle herm\u00e9neutique, 2016<\/p>\n

Richard Shusterman, Soma-esth\u00e9tique et architecture\u00a0: une alternative critique, Haute \u00e9cole d\u2019art et du d\u00e9sign, Coll. N\u2019est-ce pas\u00a0?, 2010<\/p>\n

Jean-Paul Thibaud, En qu\u00eate d\u2019ambiances\u00a0: \u00e9prouver la ville en passant<\/em>, MetisPresses, 2015<\/p>\n

Pierre Sansot, Po\u00e9tique de la ville<\/em>, Paris, Payot, 2004<\/p>\n

Peter Zumthor, Penser l\u2019architecture<\/em>, B\u00e2le, Birkh\u00e4user, 2010<\/p>\n

Atmosph\u00e8re<\/em>, B\u00e2le, Birkh\u00e4user, 2008<\/p>\n

\u00a0<\/p>\n

Programme<\/h3>\n

Les conf\u00e9rences auront lieu, sauf indication contraire, \u00e0 l\u2019Universit\u00e9 Paris Cit\u00e9, site Les Grands Moulins, le mercredi 18h-20h, 7e<\/sup> \u00e9tage, salle 783c.<\/p>\n