{"id":2215,"date":"2021-09-10T14:48:52","date_gmt":"2021-09-10T12:48:52","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2215"},"modified":"2022-03-04T09:19:34","modified_gmt":"2022-03-04T08:19:34","slug":"cycle-de-conferences-esthetique-du-pixel","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/cycle-de-conferences-esthetique-du-pixel\/","title":{"rendered":"Cycle de conf\u00e9rences \u00ab\u00a0Esth\u00e9tique du pixel\u00a0\u00bb"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbQuand, o\u00f9\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb||25px|\u00a0\u00bb]<\/p>\n

Quand<\/h4>\n

A partir du 24 septembre 2021<\/p>\n

O\u00f9<\/h4>\n

Jeu de Paume<\/p>\n

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S\u00e9minaire sous la direction de Jacques Aumont, Emmanuelle Andr\u00e9 et Antonio Somaini
Avec le soutien de la Fondation Internationale Prix Balzan<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Ornament for anonymous surface <\/span><\/div>\n
2021 <\/span><\/div>\n
G. Chatonsky<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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La \u00ab r\u00e9volution \u00bb num\u00e9rique n\u2019a peut-\u00eatre pas av\u00e9r\u00e9 les nombreuses proph\u00e9ties qui ont voulu y voir la fin d\u2019une \u00e8re, celle du cin\u00e9ma dans sa d\u00e9finition traditionnelle. Le cin\u00e9ma, de fait, a volontiers int\u00e9gr\u00e9 les possibilit\u00e9s accrues de cette transformation du m\u00e9dium (le plan tr\u00e8s long, par exemple), et on continue de voir des films, de fiction ou documentaires, qui s\u2019adressent \u00e0 des spectateurs assis devant un \u00e9cran (f\u00fbt-il domestique).<\/p>\n

Le pixel n\u2019a donc pas, par lui-m\u00eame, boulevers\u00e9 l\u2019\u00e9conomie du film. Il est ind\u00e9niable, en revanche, qu\u2019il a beaucoup facilit\u00e9 les \u00e9changes entre les \u0153uvres de l\u2019industrie ou de l\u2019artisanat cin\u00e9matographiques et des produits n\u00e9s dans d\u2019autres milieux, celui de la publicit\u00e9 et du clip ou celui de l\u2019art contemporain par exemple. Les styles, les formes de pr\u00e9sentation au public, les intentions, et jusqu\u2019\u00e0 la mati\u00e8re m\u00eame des images, ont \u00e9t\u00e9 par-l\u00e0 \u00e9tendus et renouvel\u00e9s.<\/p>\n

Cette s\u00e9rie de sept soir\u00e9es vise \u00e0 r\u00e9fl\u00e9chir sur cette mutation, encore en cours mais d\u00e9j\u00e0 largement engag\u00e9e, et sur ce qu\u2019elle am\u00e8ne \u00e0 repenser du projet esth\u00e9tique tel qu\u2019il a pu s\u2019appliquer \u00e0 l\u2019\u0153uvre de cin\u00e9ma. L\u2019esth\u00e9tique, on le sait, dans sa d\u00e9finition la plus utile, ne se confond ni avec un jugement de valeur artistique, ni avec l\u2019exercice d\u2019un go\u00fbt (d\u2019une personne ou d\u2019un milieu). Elle est un projet de connaissance, qui part de la sensation pour mieux comprendre ce que l\u2019image propose, ce qu\u2019elle invente, ce qu\u2019elle promet et ce qu\u2019elle effectue : c\u2019est en ce sens qu\u2019elle sera interrog\u00e9e.<\/p>\n

Les conf\u00e9rences seront accompagn\u00e9es de la projection d\u2019une ou plusieurs \u0153uvres d\u2019image mouvante (cin\u00e9ma ou autre) et donneront lieu \u00e0 une discussion avec le public.<\/p>\n

7 s\u00e9ances le vendredi de 18 h \u00e0 20 h 30<\/p>\n