{"id":2153,"date":"2021-06-04T16:18:47","date_gmt":"2021-06-04T14:18:47","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=2153"},"modified":"2021-06-04T17:16:50","modified_gmt":"2021-06-04T15:16:50","slug":"nibras-chehayed-la-destructivite-en-oeuvres-essai-sur-lart-syrien-contemporain","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/nibras-chehayed-la-destructivite-en-oeuvres-essai-sur-lart-syrien-contemporain\/","title":{"rendered":"Nibras Chehayed : \u00ab\u00a0La destructivit\u00e9 en \u0153uvres, essai sur l\u2019art syrien contemporain\u00a0\u00bb"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb3_4&Prime;][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; 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header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Nibras Chehayed est post-doctorant au CERILAC, allocataire d&rsquo;une bourse Marie Sklodowska-CurieGlobal Fellowship (MSCA-GF) dans le cadre du programme de recherche et d&rsquo;innovation Horizon 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_3&Prime;][et_pb_image admin_label=\u00a0\u00bbImage couverture\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; src=\u00a0\u00bbhttps:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-content\/uploads\/sites\/7\/2021\/06\/Nibras-destructivite\u0301.jpg\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; module_id=\u00a0\u00bbimage-page\u00a0\u00bb \/][et_pb_text admin_label=\u00a0\u00bbCopyright\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; 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header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime; custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Onze \u0153uvres de Syrie. Oui, mais que peut l\u2019art dans un pays d\u00e9truit\u00a0? Presque rien, h\u00e9las\u2026 Cet essai se raccroche \u00e0 ce presque d\u00e9cisif qui se refuse pourtant au rien. L\u2019espoir r\u00e9volutionnaire \u00e9vanoui, le peuple vivant au milieu des d\u00e9combres et hant\u00e9 par les disparus, il a incomb\u00e9 aux artistes de penser ce monde in\u00e9dit et d\u2019esquisser l\u2019esth\u00e9tique d\u2019un monde qui s\u2019effondre. Assumant l\u2019ampleur de la catastrophe, quand tout semble devenu impossible, c\u2019est munis des outils rudimentaires du peintre, du sculpteur ou du vid\u00e9aste qu\u2019ils ont cr\u00e9\u00e9 de nouveaux positionnements face au destructeur et vis-\u00e0-vis de ceux sur qui s\u2019acharne sa destruction. D\u00e9gradation chim\u00e9rique, art de la contre-esquisse, art de la collapside, de la pan-obscurit\u00e9, discr\u00e9tion ab-c\u00e8ne, tragique ultime, confrontation au don et au deuil impossibles, refus de l\u2019abjection, l\u2019\u00e9v\u00e9nement esth\u00e9tique se constitue en \u00e9v\u00e9nement \u00e9thique, et laisse \u00e9merger un r\u00e9el qui se d\u00e9sidentifie de la logique destructive dominante. Dans cette travers\u00e9e que propose l\u2019ouvrage, l\u2019art syrien contemporain devient ainsi, dix ans apr\u00e8s le d\u00e9but de la r\u00e9volution, de la contre-r\u00e9volution et de la guerre, un lieu de r\u00e9flexions philosophiques.<\/p>\n<p>Les cinq premi\u00e8res \u0153uvres se rapportent au destructeur tout puissant. Trois portraits du tyran indestructible sont l\u2019occasion de penser la figure paradoxale du potentat de la fin, \u00e0 la fois d\u00e9finitif et vain, qui ne construit pas un empire ni conduit l\u2019histoire \u00e0 cheval, mais pr\u00e9cipite le monde vers sa disparition, et s\u2019y pr\u00e9cipite avec lui. Une quatri\u00e8me \u0153uvre r\u00e9pond \u00e0 l\u2019impossibilit\u00e9 de se pr\u00e9munir des objets destructifs en domestiquant les obus qui ont envahi le monde, dans une tentative d\u2019en diff\u00e9rer la fin. La cinqui\u00e8me conduit \u00e0 repenser la figure impossible du sauveur dans un tel contexte.<\/p>\n<p>L\u2019ouvrage s\u2019arr\u00eate ensuite devant une seconde s\u00e9rie de six \u0153uvres qui traitent du r\u00e9el du point de vue de ceux qui subissent la destruction, se confrontant ainsi \u00e0 l\u2019impossibilit\u00e9 d\u2019y offrir une r\u00e9ponse ad\u00e9quate. Dans des configurations de plus en plus restreintes du monde, quelle posture peut-elle encore \u00eatre cr\u00e9\u00e9e face au supplici\u00e9, au r\u00e9sistant vaincu, \u00e0 l\u2019agonisant, au cadavre, \u00e0 ses restes et, ultimement, au disparu\u00a0? Et ces \u0153uvres, que donnent-elles \u00e0 penser de la destruction devenu principe g\u00e9n\u00e9ralis\u00e9, autrement dit destructivit\u00e9 en \u0153uvre\u00a0?<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbD\u00e9tails\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93&Prime; header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<ul>\n<li><strong>Titre<\/strong> : La destructivit\u00e9 en \u0153uvres, essai sur l\u2019art syrien contemporain<\/li>\n<li><strong>Auteur<\/strong> : Nibras Chehayed et Guillaume De Vaulx d\u2019Arc<\/li>\n<li><strong>\u00c9diteur<\/strong> : Presses de l&rsquo;IFPO<\/li>\n<li><strong>Date de publication<\/strong> : 2021<\/li>\n<li><strong>Nombre de pages<\/strong> : 208<\/li>\n<li><strong>ISBN<\/strong> : 978-2-35159-774-3<\/li>\n<li><strong>Prix<\/strong> : 19 \u20ac<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"et_pb_row et_pb_row_0 et_pb_row_empty\"><\/div>\n<p> Nibras Chehayed est post-doctorant au CERILAC, allocataire d&rsquo;une bourse Marie Sklodowska-CurieGlobal Fellowship (MSCA-GF) dans le cadre du programme de recherche et d&rsquo;innovation Horizon 2020. <\/p>\n<div class=\"et_pb_row et_pb_row_1 et_pb_row_empty\"><\/div>\n<p> \u00a9 Presses de l&rsquo;IFPO Onze \u0153uvres de Syrie. Oui, mais que peut l\u2019art dans un pays d\u00e9truit\u00a0? Presque rien, h\u00e9las\u2026 Cet essai se raccroche \u00e0 ce presque d\u00e9cisif qui&hellip; <a class=\"continue\" href=\"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/nibras-chehayed-la-destructivite-en-oeuvres-essai-sur-lart-syrien-contemporain\/\">Lire la suite<span> Nibras Chehayed : \u00ab\u00a0La destructivit\u00e9 en \u0153uvres, essai sur l\u2019art syrien contemporain\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":1586,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[23],"tags":[],"class_list":["post-2153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en-librairie"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=2153"}],"version-history":[{"count":1,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2153\/revisions"}],"predecessor-version":[{"id":2155,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/2153\/revisions\/2155"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/1586"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=2153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=2153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=2153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}