{"id":1919,"date":"2021-04-01T15:02:56","date_gmt":"2021-04-01T13:02:56","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?p=1919"},"modified":"2021-04-01T15:05:33","modified_gmt":"2021-04-01T13:05:33","slug":"pierre-olivier-toulza-backstage-scenes-et-coulisses-des-series-musicales","status":"publish","type":"post","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/pierre-olivier-toulza-backstage-scenes-et-coulisses-des-series-musicales\/","title":{"rendered":"Pierre-Olivier Toulza : \u00ab\u00a0Backstage : sc\u00e8nes et coulisses des s\u00e9ries musicales\u00a0\u00bb"},"content":{"rendered":"

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Pierre-Olivier Toulza est ma\u00eetre de conf\u00e9rences HDR en \u00e9tudes cin\u00e9matographiques au sein de l\u2019UFR LAC. Co-directeur du parcours Etudes cin\u00e9matographiques du Master cin\u00e9ma et audiovisuel, il est \u00e9galement chercheur au CERILAC.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 PU Fran\u00e7ois-Rabelais<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbPr\u00e9sentation\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″ custom_margin=\u00a0\u00bb-15px|||\u00a0\u00bb]<\/p>\n

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Ce livre examine le cycle de s\u00e9ries t\u00e9l\u00e9vis\u00e9es musicales \u00ab\u00a0de coulisses\u00a0\u00bb produites depuis plus d\u2019une dizaine d\u2019ann\u00e9es aux \u00c9tats-Unis.<\/div>\n
Ces productions sont envisag\u00e9es comme un ph\u00e9nom\u00e8ne spectaculaire (les mises en sc\u00e8ne comme les r\u00e9cits sont centr\u00e9s sur les performances attractionnelles, musicales et dans\u00e9es), m\u00e9diatique (la compl\u00e9mentarit\u00e9 des m\u00e9dias est au coeur des pratiques des fans comme des strat\u00e9gies industrielles), et enfin g\u00e9n\u00e9rique et culturel (ces s\u00e9ries mettent en jeu le mode m\u00e9lodramatique pour d\u00e9voiler certains rouages id\u00e9ologiques et socio-\u00e9conomiques propres \u00e0 l’Am\u00e9rique des ann\u00e9es 2021).<\/div>\n
\u00a0<\/div>\n
Sommaire de l’ouvrage<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n

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