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Dans le cadre d\u2019un projet intitul\u00e9 L\u2019Esth\u00e9tique au pr\u00e9sent\u00a0: puissances de l\u2019image mouvante<\/b>, et financ\u00e9 par la Fondation Balzan (sous la responsabilit\u00e9 de Jacques Aumont, professeur \u00e9m\u00e9rite \u00e0 l\u2019universit\u00e9 Paris Cit\u00e9-3, laur\u00e9at 2019 du Prix Balzan), deux bourses post-doctorales d\u2019une ann\u00e9e sont mises au concours pour l\u2019ann\u00e9e universitaire 2021-2022.<\/p>\n
I. Conditions g\u00e9n\u00e9rales<\/strong><\/p>\n Le projet-tuteur, tel qu\u2019approuv\u00e9 par la fondation Balzan, est joint en annexe au pr\u00e9sent appel d\u2019offres, et constitue la base scientifique et m\u00e9thodologique sur laquelle seront choisis les candidats ou candidates. Il s\u2019agit, comme le titre l\u2019indique, de mener \u00e0 bien des travaux s\u2019inscrivant dans une recherche globale sur l\u2019esth\u00e9tique de l\u2019image mouvante, apr\u00e8s la r\u00e9volution num\u00e9rique mais dans la continuit\u00e9 de certains probl\u00e8mes classiques.<\/p>\n Les trois axes de recherche distingu\u00e9s, autour des intitul\u00e9s Le pixel<\/i>, Le d\u00e9tail <\/i>et Le pr\u00e9sent<\/i>, sont donn\u00e9s \u00e0 titre indicatif. Les travaux projet\u00e9s par les candidats pourront s\u2019y rattacher ou relever de propositions diff\u00e9rentes, pourvu qu\u2019elles s\u2019inscrivent dans la perspective d\u2019ensemble du projet\u00a0: une r\u00e9flexion actuelle sur l\u2019esth\u00e9tique du film et des images en mouvement. Il pourra s\u2019agir de travaux sp\u00e9culatifs et th\u00e9oriques, ou historiques, et ils pourront comporter \u00e9ventuellement une partie de r\u00e9alisation pratique (sous forme de film, d\u2019installation, de site web, d\u2019essai vid\u00e9o, de projet d\u2019exposition, etc.)<\/p>\n Les objets de recherche, non plus que les m\u00e9thodes employ\u00e9es, ne sont pas d\u00e9finis a priori. Il appartiendra \u00e0 chacun et chacune des candidats de dire tr\u00e8s pr\u00e9cis\u00e9ment comment il ou elle entend contribuer \u00e0 une r\u00e9flexion sur l\u2019un ou plusieurs de ces trois axes, ou sur quel autre objet ou type d\u2019objets, et selon quelle proc\u00e9dure. La r\u00e9flexion devra, dans sa vis\u00e9e et ses r\u00e9sultats, apporter des id\u00e9es neuves en territoire esth\u00e9tique, mais elle pourra mobiliser d\u2019autres disciplines, telles l\u2019histoire de l\u2019art, l\u2019histoire des techniques, l\u2019anthropologie culturelle, la philosophie, la s\u00e9miotique, la th\u00e9orie des m\u00e9dias\u2026 On trouvera des exemples de travaux, r\u00e9alis\u00e9s ou en cours, sur le site cinema-esth\u00e9tique.org.<\/p>\n Le jury s\u00e9lectionnera de six \u00e0 dix propositions, qui lui sembleront les plus prometteuses et le plus en accord avec le principe et la vis\u00e9e du projet. Le choix final sera fait, apr\u00e8s entretiens oraux en visioconf\u00e9rence avec les candidats et candidates pr\u00e9s\u00e9lectionn\u00e9s, par le comit\u00e9 restreint dirigeant le projet, et qui comprend, outre Jacques Aumont, les professeurs Emmanuelle Andr\u00e9 (Universit\u00e9 Paris Cit\u00e9) et Antonio Somaini (Universit\u00e9 Sorbonne Nouvelle Les boursiers rel\u00e8veront directement de l\u2019autorit\u00e9 de ce comit\u00e9 dirigeant, et \u00e0 travers lui, de la Fondation Balzan. Ils ne seront pas rattach\u00e9s \u00e0 un laboratoire universitaire et n\u2019auront \u00e0 rendre de comptes qu\u2019au comit\u00e9.<\/p>\n II. Conditions d\u2019\u00e9ligibilit\u00e9<\/strong> III. Calendrier de recrutement<\/strong> IV. Dur\u00e9e du recrutement et date de prise de fonction<\/strong> V. Dossier de candidature<\/strong> postdocbalzan@gmail.com<\/b><\/a><\/p>\n Afin de simplifier la proc\u00e9dure de r\u00e9ception et de traitement des dossiers, l\u2019ensemble des pi\u00e8ces relatives \u00e0 chaque candidature\u00a0devra \u00eatre envoy\u00e9e en un seul fichier PDF <\/strong>(Nom_Pr\u00e9nom.pdf), en les classant dans l\u2019ordre de la liste ci-dessous. On veillera \u00e0 optimiser la taille et la r\u00e9solution des fichiers, le dossier de candidature (qui peut comporter des images) ne devant en aucun cas exc\u00e9der une taille de 10 Mo.<\/p>\n Le dossier comprend : NB : Les expertises et le contenu des d\u00e9lib\u00e9rations ne sont pas communiqu\u00e9s aux candidats.<\/p>\n VI. Participation aux travaux li\u00e9s au projet global<\/strong> Il est pr\u00e9cis\u00e9 que, le salaire correspondant \u00e0 un temps plein, on s\u2019attend que les deux candidats ou candidates retenus consacrent effectivement leur temps de travail \u00e0 leur recherche.<\/p>\n VII. R\u00e9sultats attendus<\/strong> \u2013 le candidat devra au cours de l\u2019ann\u00e9e 2021-22 participer \u00e0 un ou plusieurs s\u00e9minaires, colloques ou autres rencontres scientifiques, et y intervenir par une pr\u00e9sentation de son travail en cours.<\/p>\n VIII. R\u00e9mun\u00e9ration<\/strong> IX. Crit\u00e8res de s\u00e9lection<\/strong> Contacts Pi\u00e8ce jointe<\/strong> \u00a0<\/a><\/p>\n The \u201cAesthetics in the Present: Powers of the Moving Image\u201d project, financed by the Balzan Foundation (under the direction of Dr. Jacques Aumont, Emeritus Professor at Universit\u00e9 Paris Cit\u00e9 3 and laureate of the 2019 Balzan Prize) is seeking candidates for two post-doctoral fellowships.<\/p>\n I.\u00a0General Conditions<\/b><\/p>\n The flagship project, as approved by the Balzan Foundation, is attached to this call for applications and constitutes the scientific and methodological framework according to which candidates will be selected. The project entails, as indicated in the title, the undertaking of a broad-based research project on the aesthetics of the moving image since the digital revolution but in line with certain classical problematics.<\/p>\n Three possible research axes are proposed:\u00a0The Pixel<\/i>,\u00a0The Detail<\/i>, and\u00a0The Present<\/i>. Proposals may fit within one or more of these axes, but candidates may also submit projects on related topics insofar as they align with the aims and point of view of the flagship project: a contemporary reflection on the aesthetics of film and of moving images. Projects may consist in speculative, theoretical, or historical research, and they may, under some circumstances, include practical components (in the form of a film, an art installation, a website, a audiovisual essay, an exhibition, etc.).<\/p>\n Research objects, as well as methodologies, are open. It will be the task of each candidate to precisely define the parameters of their contribution to a larger reflection on one or more of the three proposed research axes, and to outline the object(s) of inquiry and methodologies being used. This reflection should, in both its aims and results, lead to new ideas in the field of aesthetics, but it may also involve other disciplines such as art history, the history of technology, cultural anthropology, philosophy, semiotics, media theory, etc.<\/p>\n Project proposals will undergo a two-phase selection process. During the first round of selection, an international committee will narrow the pool of candidates down to the six to ten proposals deemed most promising and most in-line with the principles and goals of the project. These candidates will then be interviewed by the project\u2019s steering committee, including Prof. Jacques Aumont, Prof. Emmanuelle Andr\u00e9 (Universit\u00e9 Paris Diderot), and Prof. Antonio Somaini (Universit\u00e9 Paris Sorbonne Nouvelle).<\/p>\n Hired fellows will report directly to this steering committee, and via the committee, to the Balzan Foundation. Fellows will not be affiliated with university research laboratories or departments and will be accountable only to the steering committee.<\/p>\n II.\u00a0Eligibility<\/b>\u00a0 III.\u00a0Application calendar<\/b> IV.\u00a0Length of Contract and Starting Date<\/b>\u00a0 V. Application<\/b> Required application materials: N.B.: Results of the selection committee\u2019s deliberations will be confidential and will not be shared with candidates.<\/p>\n VI.\u00a0Participation in Works Related to the Flagship Project<\/b> VII.\u00a0Expectations<\/b> VIII.\u00a0Stipend<\/b> \u00a0IX.\u00a0Selection Criteria<\/b> Contacts<\/b> \u00a0<\/b><\/p>\n <\/b>Enclosed Documents<\/b><\/p>\n Please find attached a summary of the research project, as submitted by Dr. Jacques Aumont, and approved by the Balzan Foundation.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Dans le cadre d\u2019un projet intitul\u00e9 L\u2019Esth\u00e9tique au pr\u00e9sent\u00a0: puissances de l\u2019image mouvante, et financ\u00e9 par la Fondation Balzan (sous la responsabilit\u00e9 de Jacques Aumont, professeur \u00e9m\u00e9rite \u00e0 l\u2019universit\u00e9 Paris Cit\u00e9-3, laur\u00e9at 2019 du Prix Balzan), deux bourses post-doctorales d\u2019une ann\u00e9e sont mises au concours pour l\u2019ann\u00e9e universitaire 2021-2022.I. Conditions g\u00e9n\u00e9ralesLe projet-tuteur, tel qu\u2019approuv\u00e9… Lire la suite A\u00e0P : Bourses post-doctorales \u00ab L\u2019Esth\u00e9tique au pr\u00e9sent : puissances de l\u2019image mouvante\u00bb (Prix Balzan)<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":46,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" Dans le cadre d\u2019un projet intitul\u00e9 L\u2019Esth\u00e9tique au pr\u00e9sent\u00a0: puissances de l\u2019image mouvante<\/b>, et financ\u00e9 par la Fondation Balzan (sous la responsabilit\u00e9 de Jacques Aumont, professeur \u00e9m\u00e9rite \u00e0 l\u2019universit\u00e9 Paris Cit\u00e9-3, laur\u00e9at 2019 du Prix Balzan), deux bourses post-doctorales d\u2019une ann\u00e9e sont mises au concours pour l\u2019ann\u00e9e universitaire 2021-22.<\/p> I. Conditions g\u00e9n\u00e9rales<\/strong><\/p> Le projet-tuteur, tel qu\u2019approuv\u00e9 par la fondation Balzan, est joint en annexe au pr\u00e9sent appel d\u2019offres, et constitue la base scientifique et m\u00e9thodologique sur laquelle seront choisis les candidats ou candidates. Il s\u2019agit, comme le titre l\u2019indique, de mener \u00e0 bien des travaux s\u2019inscrivant dans une recherche globale sur l\u2019esth\u00e9tique de l\u2019image mouvante, apr\u00e8s la r\u00e9volution num\u00e9rique mais dans la continuit\u00e9 de certains probl\u00e8mes classiques.<\/p> Les trois axes de recherche distingu\u00e9s, autour des intitul\u00e9s Le pixel<\/i>, Le d\u00e9tail <\/i>et Le pr\u00e9sent<\/i>, sont donn\u00e9s \u00e0 titre indicatif. Les travaux projet\u00e9s par les candidats pourront s\u2019y rattacher ou relever de propositions diff\u00e9rentes, pourvu qu\u2019elles s\u2019inscrivent dans la perspective d\u2019ensemble du projet\u00a0: une r\u00e9flexion actuelle sur l\u2019esth\u00e9tique du film et des images en mouvement. Il pourra s\u2019agir de travaux sp\u00e9culatifs et th\u00e9oriques, ou historiques, et ils pourront comporter \u00e9ventuellement une partie de r\u00e9alisation pratique (sous forme de film, d\u2019installation, de site web, d\u2019essai vid\u00e9o, de projet d\u2019exposition, etc.)<\/p> Les objets de recherche, non plus que les m\u00e9thodes employ\u00e9es, ne sont pas d\u00e9finis a priori. Il appartiendra \u00e0 chacun et chacune des candidats de dire tr\u00e8s pr\u00e9cis\u00e9ment comment il ou elle entend contribuer \u00e0 une r\u00e9flexion sur l\u2019un ou plusieurs de ces trois axes, ou sur quel autre objet ou type d\u2019objets, et selon quelle proc\u00e9dure. La r\u00e9flexion devra, dans sa vis\u00e9e et ses r\u00e9sultats, apporter des id\u00e9es neuves en territoire esth\u00e9tique, mais elle pourra mobiliser d\u2019autres disciplines, telles l\u2019histoire de l\u2019art, l\u2019histoire des techniques, l\u2019anthropologie culturelle, la philosophie, la s\u00e9miotique, la th\u00e9orie des m\u00e9dias\u2026 On trouvera des exemples de travaux, r\u00e9alis\u00e9s ou en cours, sur le site cinema-esth\u00e9tique.org.<\/p> Le jury s\u00e9lectionnera de six \u00e0 dix propositions, qui lui sembleront les plus prometteuses et le plus en accord avec le principe et la vis\u00e9e du projet. Le choix final sera fait, apr\u00e8s entretiens oraux en visioconf\u00e9rence avec les candidats et candidates pr\u00e9s\u00e9lectionn\u00e9s, par le comit\u00e9 restreint dirigeant le projet, et qui comprend, outre Jacques Aumont, les professeurs Emmanuelle Andr\u00e9 (Universit\u00e9 Paris Cit\u00e9) et Antonio Somaini (Universit\u00e9 Sorbonne Nouvelle Les boursiers rel\u00e8veront directement de l\u2019autorit\u00e9 de ce comit\u00e9 dirigeant, et \u00e0 travers lui, de la Fondation Balzan. Ils ne seront pas rattach\u00e9s \u00e0 un laboratoire universitaire et n\u2019auront \u00e0 rendre de comptes qu\u2019au comit\u00e9.<\/p> II. Conditions d\u2019\u00e9ligibilit\u00e9<\/strong> III. Calendrier de recrutement<\/strong> IV. Dur\u00e9e du recrutement et date de prise de fonction<\/strong> V. Dossier de candidature<\/strong> postdocbalzan@gmail.com.<\/b><\/p> Afin de simplifier la proc\u00e9dure de r\u00e9ception et de traitement des dossiers, l\u2019ensemble des pi\u00e8ces relatives \u00e0 chaque candidature\u00a0devra \u00eatre envoy\u00e9e en un seul fichier PDF <\/strong>(Nom_Pr\u00e9nom.pdf), en les classant dans l\u2019ordre de la liste ci-dessous. On veillera \u00e0 optimiser la taille et la r\u00e9solution des fichiers, le dossier de candidature (qui peut comporter des images) ne devant en aucun cas exc\u00e9der une taille de 10 Mo.<\/p> Le dossier comprend : NB : Les expertises et le contenu des d\u00e9lib\u00e9rations ne sont pas communiqu\u00e9s aux candidats.<\/p> VI. Participation aux travaux li\u00e9s au projet global<\/strong> Il est pr\u00e9cis\u00e9 que, le salaire correspondant \u00e0 un temps plein, on s\u2019attend que les deux candidats ou candidates retenus consacrent effectivement leur temps de travail \u00e0 leur recherche.<\/p> VII. R\u00e9sultats attendus<\/strong> \u2013 le candidat devra au cours de l\u2019ann\u00e9e 2021-22 participer \u00e0 un ou plusieurs s\u00e9minaires, colloques ou autres rencontres scientifiques, et y intervenir par une pr\u00e9sentation de son travail en cours.<\/p> VIII. R\u00e9mun\u00e9ration<\/strong> IX. Crit\u00e8res de s\u00e9lection<\/strong> Contacts Pi\u00e8ce jointe<\/strong> \u00a0<\/a><\/p> The \u201cAesthetics in the Present: Powers of the Moving Image\u201d project, financed by the Balzan Foundation (under the direction of Dr. Jacques Aumont, Emeritus Professor at Universit\u00e9 Paris Cit\u00e9 3 and laureate of the 2019 Balzan Prize) is seeking candidates for two post-doctoral fellowships.<\/p> I.\u00a0General Conditions<\/b><\/p> The flagship project, as approved by the Balzan Foundation, is attached to this call for applications and constitutes the scientific and methodological framework according to which candidates will be selected. The project entails, as indicated in the title, the undertaking of a broad-based research project on the aesthetics of the moving image since the digital revolution but in line with certain classical problematics.<\/p> Three possible research axes are proposed:\u00a0The Pixel<\/i>,\u00a0The Detail<\/i>, and\u00a0The Present<\/i>. Proposals may fit within one or more of these axes, but candidates may also submit projects on related topics insofar as they align with the aims and point of view of the flagship project: a contemporary reflection on the aesthetics of film and of moving images. Projects may consist in speculative, theoretical, or historical research, and they may, under some circumstances, include practical components (in the form of a film, an art installation, a website, a audiovisual essay, an exhibition, etc.).<\/p> Research objects, as well as methodologies, are open. It will be the task of each candidate to precisely define the parameters of their contribution to a larger reflection on one or more of the three proposed research axes, and to outline the object(s) of inquiry and methodologies being used. This reflection should, in both its aims and results, lead to new ideas in the field of aesthetics, but it may also involve other disciplines such as art history, the history of technology, cultural anthropology, philosophy, semiotics, media theory, etc.<\/p> Project proposals will undergo a two-phase selection process. During the first round of selection, an international committee will narrow the pool of candidates down to the six to ten proposals deemed most promising and most in-line with the principles and goals of the project. These candidates will then be interviewed by the project\u2019s steering committee, including Prof. Jacques Aumont, Prof. Emmanuelle Andr\u00e9 (Universit\u00e9 Paris Diderot), and Prof. Antonio Somaini (Universit\u00e9 Paris Sorbonne Nouvelle).<\/p> Hired fellows will report directly to this steering committee, and via the committee, to the Balzan Foundation. Fellows will not be affiliated with university research laboratories or departments and will be accountable only to the steering committee.<\/p> II.\u00a0Eligibility<\/b>\u00a0 III.\u00a0Application calendar<\/b> IV.\u00a0Length of Contract and Starting Date<\/b>\u00a0 V. Application<\/b> Required application materials: N.B.: Results of the selection committee\u2019s deliberations will be confidential and will not be shared with candidates.<\/p> VI.\u00a0Participation in Works Related to the Flagship Project<\/b> VII.\u00a0Expectations<\/b> VIII.\u00a0Stipend<\/b> \u00a0IX.\u00a0Selection Criteria<\/b> Contacts<\/b>)<\/s>.<\/p>\n
\u2192 Doctorat : th\u00e8se soutenue apr\u00e8s le 01\/09\/2015.
\u2192 Age :\u00a0\u00a0<\/b>pas de limite d’\u00e2ge\u00a0
\u2192 Statut : une personne en poste (secondaire ou sup\u00e9rieur, en France ou l\u2019\u00e9tranger) ne peut \u00eatre recrut\u00e9e.
\u2192 Nationalit\u00e9\u00a0: il n\u2019y a pas de condition de nationalit\u00e9, mais la ma\u00eetrise du fran\u00e7ais et\/ou <\/b>de l\u2019anglais est indispensable.<\/p>\n
\u2192 Date de lancement du concours : le 01\/03\/2021
\u2192 Date de cl\u00f4ture du d\u00e9p\u00f4t des candidatures : le\u00a031 mai 2021 \u00e0 minuit (<\/strong>heure de Paris).<\/b>
\u2192 Phase d\u2019admissibilit\u00e9 : juin 2021
\u2192 Auditions et d\u00e9cision finale : fin juin 2021.<\/p>\n
\u2192 Les contrats propos\u00e9s sont d\u2019une dur\u00e9e d\u2019un an
\u2192 La prise de fonction s\u2019effectuera \u00e0 partir du 1er<\/sup> septembre 2021<\/p>\n
Le dossier de candidature complet devra \u00eatre envoy\u00e9 au plus tard le\u00a031 mai 2021<\/strong> \u00e0 l\u2019adresse suivante\u00a0:<\/p>\n
\u2192 page de titre : nom, pr\u00e9nom ; titre (explicite) du projet ; \u00e9tablissement d\u2019origine (soutenance de la th\u00e8se)
\u2192 le projet de recherche r\u00e9dig\u00e9 en fran\u00e7ais ou en anglais (12 000 signes maximum [2000 mots], espaces et notes compris)
\u2192 un curriculum vitae et une liste des publications
\u2192 le dipl\u00f4me de doctorat
\u2192 le rapport de soutenance \u00e9ventuel, certifi\u00e9 conforme
\u2192 une publication significative (PDF)
\u2192 deux lettres de recommandation, r\u00e9dig\u00e9es (en fran\u00e7ais ou en anglais) par des chercheurs ou des personnalit\u00e9s du monde des arts et de la cr\u00e9ation.<\/p>\n
En plus du projet de recherche personnel sur lequel ils auront \u00e9t\u00e9 s\u00e9lectionn\u00e9s, les chercheurs prendront part aux activit\u00e9s engag\u00e9es dans le cadre du projet L\u2019Esth\u00e9tique au pr\u00e9sent<\/i>. \u00c0 concurrence du tiers de leur temps de travail au maximum, ils contribueront notamment \u00e0 l\u2019organisation et \u00e0 la r\u00e9alisation des ateliers, rencontres, journ\u00e9es d\u2019\u00e9tude programm\u00e9s, et \u00e0 l\u2019enrichissement des supports de communication (site web, plaquettes ou documents de pr\u00e9sentation).<\/p>\n
\u2013 les candidats s\u2019engagent,\u00a0sous peine de remboursement de l\u2019int\u00e9gralit\u00e9 des sommes per\u00e7ues<\/strong>, \u00e0 rendre, au 31\/08\/2022, un travail de recherche \u00e9crit. Ce travail pourra prendre la forme d\u2019un ou plusieurs articles pr\u00eats \u00e0 \u00eatre publi\u00e9s, de pr\u00e9f\u00e9rence d\u00e9j\u00e0 soumis \u00e0 une publication (avec comit\u00e9 de lecture), ou d\u2019un ou plusieurs chapitres d\u2019un ouvrage \u00e0 venir. Si un candidat ou une candidate choisit d\u2019inclure une dimension pratique \u00e0 son projet, cette \u00e9tude pourra en \u00eatre, en tout ou en partie, la pr\u00e9sentation et la discussion.<\/p>\n
Les recrutements se font sous la forme d’un contrat \u00e0 dur\u00e9e d\u00e9termin\u00e9e. Le candidat percevra une r\u00e9mun\u00e9ration forfaitaire mensuelle nette exclusive de toute r\u00e9mun\u00e9ration accessoire sur la base d\u2019un temps plein d\u2019un montant de 2.000,00 euros.<\/p>\n
Les contrats propos\u00e9s s\u2019adressent \u00e0 des chercheurs ayant obtenu leur doctorat r\u00e9cemment. Les candidats doivent \u00eatre titulaires d\u2019un dipl\u00f4me de doctorat et pouvoir se pr\u00e9valoir de premi\u00e8res r\u00e9alisations dans le domaine de la recherche.
Les crit\u00e8res pris en compte par le comit\u00e9 de s\u00e9lection sont :
\u2192\u00a0\u00a0L’excellence scientifique du projet, son originalit\u00e9, sa m\u00e9thodologie, son ad\u00e9quation avec le cadre scientifique du projet global\u00a0
\u2192 Le profil et les aptitudes du candidat (comp\u00e9tences scientifiques, exp\u00e9riences dans le domaine de la recherche, publications)
\u2192 Le caract\u00e8re international des recherches (s\u00e9jours d\u2019\u00e9tude, publications, comp\u00e9tences linguistiques)<\/p>\n
<\/b>postdocbalzan@gmail.com<\/a><\/p>\n
R\u00e9sum\u00e9 projet de recherche<\/a>.<\/p>\n<\/div>\n<\/div>\n<\/div>\nCall for Projects for a Post-Doctoral Fellowship<\/h3>\n
\u2192 Ph.D. (or equivalent): Dissertation must have been defended after September 01, 2015.
\u2192 Age:\u00a0There is no age limit
\u2192 Status: Candidates may not hold any other position (in secondary or higher education, in France or abroad).
\u2192 Nationality: There is no nationality requirement, but the candidate must be fluent in French\u00a0and\/or<\/b>\u00a0English.<\/p>\n
\u2192 Beginning of the application period: March 1st, 2021
\u2192 Deadline for application submissions: May 31st, 2021 at midnight Paris time (GMT)
\u2192 Examination of submitted applications: June 2021
\u2192 Interviews and final decisions: Early July 2021\u00a0<\/b><\/p>\n
\u2192 Fellowships will have a length of one year
\u2192 Positions will begin on September 01, 2021 and will end on August 31st, 2022<\/p>\n
Completed applications must be sent by May 31st, 2021 at the latest to the following address:
<\/a>postdocbalzan@gmail.com<\/a>\u00a0
In order to streamline the receipt and processing of applications, please send all application materials in\u00a0a single PDF file\u00a0<\/b>(Last name_First name.pdf), organized in the order listed below. Be sure to optimize for file size and resolution. It is suggested that the final application document (which may include images) should not exceed 10MB.<\/p>\n
\u2192 Title page: Last name, first name; Concise project title; Home institution (name of the institution where Ph.D. dissertation was defended)
\u2192 Research proposal, written in French or in English (12,000 characters max. in length, including spaces and notes)
\u2192 Curriculum Vitae and a list of publications
\u2192 Copy of the Ph.D. diploma
\u2192 Certified dissertation defense report, when applicable
\u2192 Writing sample (PDF of a significant publication)
\u2192 Two letters of recommendation, written (in French or in English) by academic researchers or established practictioners within cinema and\/or contemporary art.<\/p>\n
The chosen candidates will be expected not only to carry out their own research project, but also to participate in activities related to the flagship\u00a0Aesthetics in the Present<\/i>\u00a0project. Up to one third max. of fellows\u2019 responsibilities will include organizing and leading workshops, colloquia, pre-scheduled symposia, and enriching project communication efforts (website, advertisement materials, and\/or supporting documents).<\/p>\n
–\u00a0Post-doctoral fellows will be contractually obligated to hand in, by the deadline of August 31, 2022, a written text stemming from their post-doctoral research. This text will take the form of either one or more articles ready to be submitted or already submitted to peer-reviewed academic journals, or of one or more chapters for a forthcoming book. Candidates may choose to include an artistic\/practical component to their projects.
–\u00a0During the academic year 2021-22, the post-doctoral fellows will take part in one or more doctoral or post-doctoral seminar(s) of their choosing, and will be asked\u00a0 to present their work-in-progress in this forum.<\/p>\n
Fellows will be hired on a fixed-term contract. They will receive a fixed-rate monthly stipend in the amount of 2,000.00 euros net per month.<\/p>\n
Candidates must hold a doctoral diploma (Ph.D.) and must demonstrate an appropriate preliminary research record.
The selection committee will evaluate applications based on:
\u2192 The scientific excellence and originality of the project proposal, as well as its methodology and scientific relevance
\u2192 The profile and aptitudes of the candidate (research skills and experiences, publications)
\u2192 The international nature and legibility of the candidate\u2019s research (study abroad, publications, language proficiency)<\/p>\n
postdocbalzan@gmail.com<\/a><\/b><\/p>\n)<\/s>.<\/p>
\u2192 Doctorat : th\u00e8se soutenue apr\u00e8s le 01\/09\/2015.
\u2192 Age :\u00a0\u00a0<\/b>pas de limite d'\u00e2ge\u00a0
\u2192 Statut : une personne en poste (secondaire ou sup\u00e9rieur, en France ou l\u2019\u00e9tranger) ne peut \u00eatre recrut\u00e9e.
\u2192 Nationalit\u00e9\u00a0: il n\u2019y a pas de condition de nationalit\u00e9, mais la ma\u00eetrise du fran\u00e7ais et\/ou <\/b>de l\u2019anglais est indispensable.<\/p>
\u2192 Date de lancement du concours : le 01\/03\/2021
\u2192 Date de cl\u00f4ture du d\u00e9p\u00f4t des candidatures : le\u00a031 mai 2021 \u00e0 minuit (<\/strong>heure de Paris).<\/b>
\u2192 Phase d\u2019admissibilit\u00e9 : juin 2021
\u2192 Auditions et d\u00e9cision finale : fin juin 2021.<\/p>
\u2192 Les contrats propos\u00e9s sont d\u2019une dur\u00e9e d\u2019un an
\u2192 La prise de fonction s\u2019effectuera \u00e0 partir du 1er<\/sup> septembre 2021<\/p>
Le dossier de candidature complet devra \u00eatre envoy\u00e9 au plus tard le\u00a031 mai 2021<\/strong> \u00e0 l\u2019adresse suivante\u00a0:<\/p>
\u2192 page de titre : nom, pr\u00e9nom ; titre (explicite) du projet ; \u00e9tablissement d\u2019origine (soutenance de la th\u00e8se)
\u2192 le projet de recherche r\u00e9dig\u00e9 en fran\u00e7ais ou en anglais (12 000 signes maximum [2000 mots], espaces et notes compris)
\u2192 un curriculum vitae et une liste des publications
\u2192 le dipl\u00f4me de doctorat
\u2192 le rapport de soutenance \u00e9ventuel, certifi\u00e9 conforme
\u2192 une publication significative (PDF)
\u2192 deux lettres de recommandation, r\u00e9dig\u00e9es (en fran\u00e7ais ou en anglais) par des chercheurs ou des personnalit\u00e9s du monde des arts et de la cr\u00e9ation.<\/p>
En plus du projet de recherche personnel sur lequel ils auront \u00e9t\u00e9 s\u00e9lectionn\u00e9s, les chercheurs prendront part aux activit\u00e9s engag\u00e9es dans le cadre du projet L\u2019Esth\u00e9tique au pr\u00e9sent<\/i>. \u00c0 concurrence du tiers de leur temps de travail au maximum, ils contribueront notamment \u00e0 l\u2019organisation et \u00e0 la r\u00e9alisation des ateliers, rencontres, journ\u00e9es d\u2019\u00e9tude programm\u00e9s, et \u00e0 l\u2019enrichissement des supports de communication (site web, plaquettes ou documents de pr\u00e9sentation).<\/p>
\u2013 les candidats s\u2019engagent,\u00a0sous peine de remboursement de l\u2019int\u00e9gralit\u00e9 des sommes per\u00e7ues<\/strong>, \u00e0 rendre, au 31\/08\/2022, un travail de recherche \u00e9crit. Ce travail pourra prendre la forme d\u2019un ou plusieurs articles pr\u00eats \u00e0 \u00eatre publi\u00e9s, de pr\u00e9f\u00e9rence d\u00e9j\u00e0 soumis \u00e0 une publication (avec comit\u00e9 de lecture), ou d\u2019un ou plusieurs chapitres d\u2019un ouvrage \u00e0 venir. Si un candidat ou une candidate choisit d\u2019inclure une dimension pratique \u00e0 son projet, cette \u00e9tude pourra en \u00eatre, en tout ou en partie, la pr\u00e9sentation et la discussion.<\/p>
Les recrutements se font sous la forme d'un contrat \u00e0 dur\u00e9e d\u00e9termin\u00e9e. Le candidat percevra une r\u00e9mun\u00e9ration forfaitaire mensuelle nette exclusive de toute r\u00e9mun\u00e9ration accessoire sur la base d\u2019un temps plein d\u2019un montant de 2.000,00 euros.<\/p>
Les contrats propos\u00e9s s\u2019adressent \u00e0 des chercheurs ayant obtenu leur doctorat r\u00e9cemment. Les candidats doivent \u00eatre titulaires d\u2019un dipl\u00f4me de doctorat et pouvoir se pr\u00e9valoir de premi\u00e8res r\u00e9alisations dans le domaine de la recherche.
Les crit\u00e8res pris en compte par le comit\u00e9 de s\u00e9lection sont :
\u2192\u00a0\u00a0L'excellence scientifique du projet, son originalit\u00e9, sa m\u00e9thodologie, son ad\u00e9quation avec le cadre scientifique du projet global\u00a0
\u2192 Le profil et les aptitudes du candidat (comp\u00e9tences scientifiques, exp\u00e9riences dans le domaine de la recherche, publications)
\u2192 Le caract\u00e8re international des recherches (s\u00e9jours d\u2019\u00e9tude, publications, comp\u00e9tences linguistiques)<\/p>
<\/b>postdocbalzan@gmail.com<\/a><\/p>
R\u00e9sum\u00e9 du projet de recherche propos\u00e9 par Jacques Aumont, et approuv\u00e9 par la Fondation Balzan. <\/a><\/p><\/div><\/div><\/div>Call for Projects for a Post-Doctoral Fellowship<\/h3>
\u2192 Ph.D. (or equivalent): Dissertation must have been defended after September 01, 2015.
\u2192 Age:\u00a0There is no age limit
\u2192 Status: Candidates may not hold any other position (in secondary or higher education, in France or abroad).
\u2192 Nationality: There is no nationality requirement, but the candidate must be fluent in French\u00a0and\/or<\/b>\u00a0English.<\/p>
\u2192 Beginning of the application period: March 1st, 2021
\u2192 Deadline for application submissions: May 31st, 2021 at midnight Paris time (GMT)
\u2192 Examination of submitted applications: June 2021
\u2192 Interviews and final decisions: Early July 2021\u00a0<\/b><\/p>
\u2192 Fellowships will have a length of one year
\u2192 Positions will begin on September 01, 2021 and will end on August 31st, 2022<\/p>
Completed applications must be sent by May 31st, 2021 at the latest to the following address:
<\/a>postdocbalzan@gmail.com<\/a>\u00a0
In order to streamline the receipt and processing of applications, please send all application materials in\u00a0a single PDF file\u00a0<\/b>(Last name_First name.pdf), organized in the order listed below. Be sure to optimize for file size and resolution. It is suggested that the final application document (which may include images) should not exceed 10MB.<\/p>
\u2192 Title page: Last name, first name; Concise project title; Home institution (name of the institution where Ph.D. dissertation was defended)
\u2192 Research proposal, written in French or in English (12,000 characters max. in length, including spaces and notes)
\u2192 Curriculum Vitae and a list of publications
\u2192 Copy of the Ph.D. diploma
\u2192 Certified dissertation defense report, when applicable
\u2192 Writing sample (PDF of a significant publication)
\u2192 Two letters of recommendation, written (in French or in English) by academic researchers or established practictioners within cinema and\/or contemporary art.<\/p>
The chosen candidates will be expected not only to carry out their own research project, but also to participate in activities related to the flagship\u00a0Aesthetics in the Present<\/i>\u00a0project. Up to one third max. of fellows\u2019 responsibilities will include organizing and leading workshops, colloquia, pre-scheduled symposia, and enriching project communication efforts (website, advertisement materials, and\/or supporting documents).<\/p>
-\u00a0Post-doctoral fellows will be contractually obligated to hand in, by the deadline of August 31, 2022, a written text stemming from their post-doctoral research. This text will take the form of either one or more articles ready to be submitted or already submitted to peer-reviewed academic journals, or of one or more chapters for a forthcoming book. Candidates may choose to include an artistic\/practical component to their projects.
-\u00a0During the academic year 2021-22, the post-doctoral fellows will take part in one or more doctoral or post-doctoral seminar(s) of their choosing, and will be asked\u00a0 to present their work-in-progress in this forum.<\/p>
Fellows will be hired on a fixed-term contract. They will receive a fixed-rate monthly stipend in the amount of 2,000.00 euros net per month.<\/p>
Candidates must hold a doctoral diploma (Ph.D.) and must demonstrate an appropriate preliminary research record.
The selection committee will evaluate applications based on:
\u2192 The scientific excellence and originality of the project proposal, as well as its methodology and scientific relevance
\u2192 The profile and aptitudes of the candidate (research skills and experiences, publications)
\u2192 The international nature and legibility of the candidate\u2019s research (study abroad, publications, language proficiency)<\/p>
postdocbalzan@gmail.com<\/a>
<\/b>Enclosed Documents<\/b>
Please find attached a summary of the research project, as submitted by Dr. Jacques Aumont, and approved by the Balzan Foundation.<\/a><\/p><\/div><\/div><\/div><\/div><\/div>","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerilac"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/1767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=1767"}],"version-history":[{"count":5,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/1767\/revisions"}],"predecessor-version":[{"id":1777,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/1767\/revisions\/1777"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/46"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=1767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=1767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=1767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}