\u00a9 Tous droits r\u00e9serv\u00e9s<\/p>\n<\/div>\n<\/div>\n<\/div>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n
Frictions d\u2019images \u2013 essais d\u2019analyse<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\nS\u00c9ANCE DU 25 MARS ANNUL\u00c9E\u00a0\u00a0<\/strong><\/p>\n\u00c9pid\u00e9mie de COVID-19 le Pr\u00e9sident de la R\u00e9publique a annonc\u00e9 le 12 mars la fermeture au public de l\u2019ensemble des \u00e9tablissements d\u2019enseignement sup\u00e9rieur \u00e0 compter du lundi 16 mars et jusqu’\u00e0 nouvel ordre.<\/strong><\/p>\nS\u00e9minaire Axe EMOI 2019-2020 (Master-Doctorat)<\/p>\n
![\"PDF](\"https:\/\/cerilac.wup1.univ-paris-diderot.fr\/modules\/file\/icons\/application-pdf.png\" "\\"application\/pdf\\"")
Affiche du s\u00e9minaire<\/a>\u00a0(1.14 Mo)<\/span><\/span><\/p>\nRAYMOND BELLOUR<\/p>\n
Frictions d\u2019images \u2013 essais d\u2019analyse<\/p>\n
Le mercredi de 15 h \u00e0 18h \u00e0 partir du 22\u00a0janvier 2020<\/p>\n
Second semestre. 8 s\u00e9ances de 3h<\/p>\n
B\u00e2timent des Grands Moulins | salle 677<\/p>\n
5 rue Thomas Mann | Paris 13e<\/p>\n
22 janvier\u00a0; 29 janvier (REPORTEE)\u00a0; 5 f\u00e9vrier\u00a0(REPORTEE); 12 f\u00e9vrier\u00a0; 26 f\u00e9vrier\u00a0; 4 mars\u00a0; 11 mars\u00a0; 25 mars<\/p>\n
\u00a0<\/p>\n
Ponctuellement, dans l\u2019histoire du cin\u00e9ma, et de fa\u00e7on plus aig\u00fce au fur et \u00e0 mesure de son avanc\u00e9e, des films montrent une instabilit\u00e9 constitutive des \u00e9l\u00e9ments qui les composent \u2013 tant au niveau du r\u00e9cit qu\u2019\u00e0 celui de l\u2019image. Sans qu’il s’agisse pour autant de films d’avant-garde ou exp\u00e9rimentaux, mais de films de fiction au sens ordinaire du terme. Pour faire ressortir cette instabilit\u00e9, mettre en valeur ses intimes ressorts, il n\u2019y a pas d\u2019autre moyen que d\u2019accompagner ces films, selon leur progression chaotique et al\u00e9atoire.<\/p>\n
Telle est l\u2019exp\u00e9rience qu\u2019on essaiera ici de mener sur deux films, r\u00e9alis\u00e9s \u00e0 trente-neuf ans de distance par deux cin\u00e9astes femmes, En d\u00e9couvrant le vaste monde (1978, 79′) de Kira Mouratova, et Zama (2017, 115′) de Lucrecia Martel. Il s’agira donc, apr\u00e8s leur projection liminaire, de reprendre ces films pas \u00e0 pas, en s’arr\u00eatant sur chaque moment ou instant jug\u00e9 sensible ou\/et probl\u00e9matique, au gr\u00e9 d’un dialogue plus ou moins nourri entre le meneur de jeu et les participants du s\u00e9minaire. Plus qu’un d\u00e9sir de synth\u00e8se, ce sera ainsi un d\u00e9sir \u00e9perdu d’analyse qui se trouuvera mis en jeu. En outre, pour ne pas risquer trop simplement une d\u00e9termination attach\u00e9e au genre des deux cin\u00e9astes, comme pour t\u00e9moigner combien l\u2019histoire du cin\u00e9ma a offert sur les plans les plus vari\u00e9s de tels exemples, on joindra \u00e0 ces deux films un troisi\u00e8me, Number Seventeen (1932, 83′) d\u2019Alfred Hitchcock, qu’on parcourra plus rapidement (c\u2019aurait pu \u00eatre aussi bien ou mieux, la m\u00eame ann\u00e9e, Vampyr de Carl Dreyer, si ce film n\u2019avait d\u00e9j\u00e0 suscit\u00e9 autant d\u2019approches obsessionnelles et savantes).<\/p>\n
\u00a0<\/p>\n
Raymond Bellour, chercheur, \u00e9crivain. S\u2019int\u00e9resse d\u2019un c\u00f4t\u00e9 \u00e0 la litt\u00e9rature, romantique (les Bront\u00eb, Alexandre Dumas, Henry James), et contemporaine (Henri Michaux). S\u2019int\u00e9resse de l\u2019autre au cin\u00e9ma, le tout cin\u00e9ma, comme aux m\u00e9langes, aux passages, aux r\u00e9gimes mixtes d\u2019images – peinture, photo, cin\u00e9ma, vid\u00e9o, images virtuelles. Il a \u00e9t\u00e9 aussi commissaire d\u2019expositions. Il est un des animateurs de Tra c, revue de cin\u00e9ma.<\/p>\n
\u00a0<\/p>\n
Contact :\u00a0emmanuelle.andre@univ-paris-diderot.fr<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.19.11″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n
\u00c0<\/span> lire aussi<\/h2>\n[\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
<\/div>\n \u00a9 Tous droits r\u00e9serv\u00e9s <\/p>\n
<\/div>\n Frictions d\u2019images \u2013 essais d\u2019analyseS\u00c9ANCE DU 25 MARS ANNUL\u00c9E\u00a0\u00a0\u00c9pid\u00e9mie de COVID-19 le Pr\u00e9sident de la R\u00e9publique a annonc\u00e9 le 12 mars la fermeture au public de l\u2019ensemble des \u00e9tablissements d\u2019enseignement sup\u00e9rieur \u00e0 compter du lundi 16 mars et jusqu’\u00e0 nouvel ordre.S\u00e9minaire Axe EMOI 2019-2020 (Master-Doctorat)Affiche du s\u00e9minaire\u00a0(1.14 Mo)RAYMOND BELLOURFrictions… Lire la suite S\u00e9minaire 2019-2020 Axe EMOI<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":1186,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[26],"tags":[],"class_list":["post-1185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements-passes"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/1185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=1185"}],"version-history":[{"count":3,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/1185\/revisions"}],"predecessor-version":[{"id":1195,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/1185\/revisions\/1195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/1186"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=1185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=1185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=1185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
S\u00c9ANCE DU 25 MARS ANNUL\u00c9E\u00a0\u00a0<\/strong><\/p>\n \u00c9pid\u00e9mie de COVID-19 le Pr\u00e9sident de la R\u00e9publique a annonc\u00e9 le 12 mars la fermeture au public de l\u2019ensemble des \u00e9tablissements d\u2019enseignement sup\u00e9rieur \u00e0 compter du lundi 16 mars et jusqu’\u00e0 nouvel ordre.<\/strong><\/p>\n S\u00e9minaire Axe EMOI 2019-2020 (Master-Doctorat)<\/p>\n RAYMOND BELLOUR<\/p>\n Frictions d\u2019images \u2013 essais d\u2019analyse<\/p>\n Le mercredi de 15 h \u00e0 18h \u00e0 partir du 22\u00a0janvier 2020<\/p>\n Second semestre. 8 s\u00e9ances de 3h<\/p>\n B\u00e2timent des Grands Moulins | salle 677<\/p>\n 5 rue Thomas Mann | Paris 13e<\/p>\n 22 janvier\u00a0; 29 janvier (REPORTEE)\u00a0; 5 f\u00e9vrier\u00a0(REPORTEE); 12 f\u00e9vrier\u00a0; 26 f\u00e9vrier\u00a0; 4 mars\u00a0; 11 mars\u00a0; 25 mars<\/p>\n \u00a0<\/p>\n Ponctuellement, dans l\u2019histoire du cin\u00e9ma, et de fa\u00e7on plus aig\u00fce au fur et \u00e0 mesure de son avanc\u00e9e, des films montrent une instabilit\u00e9 constitutive des \u00e9l\u00e9ments qui les composent \u2013 tant au niveau du r\u00e9cit qu\u2019\u00e0 celui de l\u2019image. Sans qu’il s’agisse pour autant de films d’avant-garde ou exp\u00e9rimentaux, mais de films de fiction au sens ordinaire du terme. Pour faire ressortir cette instabilit\u00e9, mettre en valeur ses intimes ressorts, il n\u2019y a pas d\u2019autre moyen que d\u2019accompagner ces films, selon leur progression chaotique et al\u00e9atoire.<\/p>\n Telle est l\u2019exp\u00e9rience qu\u2019on essaiera ici de mener sur deux films, r\u00e9alis\u00e9s \u00e0 trente-neuf ans de distance par deux cin\u00e9astes femmes, En d\u00e9couvrant le vaste monde (1978, 79′) de Kira Mouratova, et Zama (2017, 115′) de Lucrecia Martel. Il s’agira donc, apr\u00e8s leur projection liminaire, de reprendre ces films pas \u00e0 pas, en s’arr\u00eatant sur chaque moment ou instant jug\u00e9 sensible ou\/et probl\u00e9matique, au gr\u00e9 d’un dialogue plus ou moins nourri entre le meneur de jeu et les participants du s\u00e9minaire. Plus qu’un d\u00e9sir de synth\u00e8se, ce sera ainsi un d\u00e9sir \u00e9perdu d’analyse qui se trouuvera mis en jeu. En outre, pour ne pas risquer trop simplement une d\u00e9termination attach\u00e9e au genre des deux cin\u00e9astes, comme pour t\u00e9moigner combien l\u2019histoire du cin\u00e9ma a offert sur les plans les plus vari\u00e9s de tels exemples, on joindra \u00e0 ces deux films un troisi\u00e8me, Number Seventeen (1932, 83′) d\u2019Alfred Hitchcock, qu’on parcourra plus rapidement (c\u2019aurait pu \u00eatre aussi bien ou mieux, la m\u00eame ann\u00e9e, Vampyr de Carl Dreyer, si ce film n\u2019avait d\u00e9j\u00e0 suscit\u00e9 autant d\u2019approches obsessionnelles et savantes).<\/p>\n \u00a0<\/p>\n Raymond Bellour, chercheur, \u00e9crivain. S\u2019int\u00e9resse d\u2019un c\u00f4t\u00e9 \u00e0 la litt\u00e9rature, romantique (les Bront\u00eb, Alexandre Dumas, Henry James), et contemporaine (Henri Michaux). S\u2019int\u00e9resse de l\u2019autre au cin\u00e9ma, le tout cin\u00e9ma, comme aux m\u00e9langes, aux passages, aux r\u00e9gimes mixtes d\u2019images – peinture, photo, cin\u00e9ma, vid\u00e9o, images virtuelles. Il a \u00e9t\u00e9 aussi commissaire d\u2019expositions. Il est un des animateurs de Tra c, revue de cin\u00e9ma.<\/p>\n \u00a0<\/p>\n Contact :\u00a0emmanuelle.andre@univ-paris-diderot.fr<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.19.11″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n [\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" \u00a9 Tous droits r\u00e9serv\u00e9s <\/p>\n Frictions d\u2019images \u2013 essais d\u2019analyseS\u00c9ANCE DU 25 MARS ANNUL\u00c9E\u00a0\u00a0\u00c9pid\u00e9mie de COVID-19 le Pr\u00e9sident de la R\u00e9publique a annonc\u00e9 le 12 mars la fermeture au public de l\u2019ensemble des \u00e9tablissements d\u2019enseignement sup\u00e9rieur \u00e0 compter du lundi 16 mars et jusqu’\u00e0 nouvel ordre.S\u00e9minaire Axe EMOI 2019-2020 (Master-Doctorat)Affiche du s\u00e9minaire\u00a0(1.14 Mo)RAYMOND BELLOURFrictions… Lire la suite S\u00e9minaire 2019-2020 Axe EMOI<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":1186,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[26],"tags":[],"class_list":["post-1185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements-passes"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/1185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=1185"}],"version-history":[{"count":3,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/1185\/revisions"}],"predecessor-version":[{"id":1195,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/posts\/1185\/revisions\/1195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media\/1186"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=1185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/categories?post=1185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/tags?post=1185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Affiche du s\u00e9minaire<\/a>\u00a0(1.14 Mo)<\/span><\/span><\/p>\n\u00c0<\/span> lire aussi<\/h2>\n