{"id":739,"date":"2020-06-08T10:48:57","date_gmt":"2020-06-08T08:48:57","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?page_id=739"},"modified":"2024-07-04T11:57:25","modified_gmt":"2024-07-04T09:57:25","slug":"theleme","status":"publish","type":"page","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/axes-de-recherche\/theleme\/","title":{"rendered":"Th\u00e9l\u00e8me – Litt\u00e9rature et sciences humaines de l\u2019Antiquit\u00e9 aux Lumi\u00e8res"},"content":{"rendered":"

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Co-responsables: Claire Donnat-Aracil et Amandine Mussou<\/strong><\/p>\n

L\u2019axe de recherches Th\u00e9l\u00e8me s\u2019efforce de pr\u00e9senter une approche contemporaine d\u2019objets litt\u00e9raires et esth\u00e9tiques anciens, de l\u2019Antiquit\u00e9 aux Lumi\u00e8res, \u00e0 partir de l\u2019apport des sciences humaines. Nous travaillons \u00e0 resituer dans l\u2019histoire des temps modernes le corpus classique, et \u00e0 mesurer l\u2019importance des \u00ab\u00a0monuments\u00a0\u00bb de la litt\u00e9rature du pass\u00e9. Mais, conform\u00e9ment aux principes fondateurs du CERILAC, nous adoptons sur les \u0153uvres anciennes un point de vue actuel, inspir\u00e9 par les pr\u00e9occupations et les probl\u00e9matiques du monde d\u2019aujourd\u2019hui.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

Pr\u00e9sentation<\/h3>\n

Notre champ d\u2019investigation couvre l\u2019Antiquit\u00e9, l\u2019\u00e9poque m\u00e9di\u00e9vale, l\u2019humanisme de la Renaissance et l\u2019\u00e2ge classique, mais aussi le mouvement des Lumi\u00e8res.<\/p>\n

L\u2019axe de recherches Th\u00e9l\u00e8me est principalement anim\u00e9 par Rapha\u00ebl Cappellen, Jean-Fran\u00e7ois Cottier, Pascal Debailly, Claire Donnat-Aracil, Florence Dumora, Guiomar Hautcoeur, Chantal Liaroutzos, Emily Lombardero, Florence Lotterie, Amandine Mussou, Anne Paupert, Maxime Pierre, Jean Vignes et Lise Wajeman. Y intervient aussi Emmanuelle Valette \u00e0 titre de membre associ\u00e9e.<\/p>\n

Nous sommes avant tout des litt\u00e9raires, des historiens et historiennes de la litt\u00e9rature. Mais notre approche des textes anciens s\u2019ancre dans la volont\u00e9 d\u2019un dialogue pass\u00e9-pr\u00e9sent et dans une r\u00e9flexion sur les enjeux de la distance historique. C\u2019est pourquoi nous sommes soucieux d\u2019associer \u00e0 une \u00e9rudition r\u00e9fl\u00e9chie les apports de nouvelles m\u00e9thodes issues des sciences humaines\u00a0: philosophie, linguistique, psychanalyse, anthropologie, sociologie\u2026 Quel que soit notre angle d\u2019approche, nous revendiquons le point de vue de la modernit\u00e9 et une interaction f\u00e9conde entre les \u0153uvres du pass\u00e9 et les mod\u00e8les de pens\u00e9e les plus contemporains. Articul\u00e9es sur l\u2019Histoire, nos recherches visent \u00e0 l\u2019\u00e9laboration de th\u00e9ories critiques et op\u00e9ratoires.<\/p>\n

Activit\u00e9s pour l\u2019ann\u00e9e 2023-2024<\/h3>\n

L\u2019axe Th\u00e9l\u00e8me fonctionne sur deux modes\u00a0:<\/p>\n

D\u2019un c\u00f4t\u00e9, des rencontres communes r\u00e9unissent les chercheurs et chercheuses ainsi que les doctorants et doctorantes de l\u2019axe : en 2024, le s\u00e9minaire sera l\u2019occasion d\u2019inviter des conf\u00e9renciers et conf\u00e9renci\u00e8res ext\u00e9rieurs \u00e0 raison d\u2019une s\u00e9ance tous les deux mois environ (Conf\u00e9rence de janvier 2024<\/a>). Par ailleurs, une journ\u00e9e d\u2019\u00e9tudes \u00e0 destination des \u00e9tudiants et \u00e9tudiantes inscrits en doctorat ou en M2 aura lieu au mois de juin.<\/p>\n

D\u2019un autre c\u00f4t\u00e9, des colloques et s\u00e9minaires sont organis\u00e9s par des membres de l\u2019\u00e9quipe, soit de mani\u00e8re autonome, soit en partenariat avec d\u2019autres institutions. Fond\u00e9s sur une approche anthropologique et sociale de la litt\u00e9rature, ces travaux ont longtemps port\u00e9 sur la question des passions (Peur et litt\u00e9rature<\/em>, 2007\u00a0; Discours des corps<\/em>, 2017-2019\u00a0; \u00c9tats d\u2019ivresse<\/em>, 2021). Ils s\u2019organisent aujourd\u2019hui autour de trois p\u00f4les\u00a0:<\/p>\n

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