{"id":2672,"date":"2022-02-01T14:34:57","date_gmt":"2022-02-01T13:34:57","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?page_id=2672"},"modified":"2022-02-01T14:45:49","modified_gmt":"2022-02-01T13:45:49","slug":"dernieres-publications-hal","status":"publish","type":"page","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/dernieres-publications-hal\/","title":{"rendered":"Derni\u00e8res publications HAL"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; module_id=\u00a0\u00bbHAL\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime;][et_pb_row _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.25&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.22.1&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93&Prime; link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93&Prime; 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header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93&Prime; z_index_tablet=\u00a0\u00bb500&Prime;]<\/p>\n<div class=\"feedzy-b33d80f643d2a633d270275350098e95 feedzy-rss\"><ul><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-05574861v1\" target=\"_blank\" rel=\" noopener\">[hal-05574861] Cin\u00e9ma, pirogues, et nouveaux mat\u00e9rialismes. Partir avec Sylvain L\u2019Esp\u00e9rance<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Beno\u00eet Turquety)<\/a> on 31 mars 2026 <\/small><p>[...]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/univ-pantheon-assas.hal.science\/hal-05528446v1\" target=\"_blank\" rel=\" noopener\">[hal-05528446] Radios associatives<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/univ-pantheon-assas.hal.science\" target=\"_blank\" title=\"univ-pantheon-assas.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Thierry Lefebvre)<\/a> on 26 f\u00e9vrier 2026 <\/small><p>[...]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/univ-angers.hal.science\/hal-05172727v1\" target=\"_blank\" rel=\" noopener\">[hal-05172727] The copper ionophore disulfiram improves mitochondrial function in various yeast and human cellular models of mitochondrial diseases<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/univ-angers.hal.science\" target=\"_blank\" title=\"univ-angers.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Claire Almyre)<\/a> on 21 juillet 2025 <\/small><p>Abstract The copper ionophore disulfiram (DSF) is commonly used to treat chronic alcoholism and has potential anti-cancer activity. Using a yeast-based screening assay of FDA-approved compounds, DSF was herein identified for its ability to improve oxidative phosphorylation-dependent growth of [&hellip;]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-05021955v1\" target=\"_blank\" rel=\" noopener\">[hal-05021955] Patrimoine cin\u00e9matographique du thermalisme : naissance d\u2019une collection<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Thierry Lefebvre)<\/a> on 5 avril 2025 <\/small><p>[...]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-05021954v1\" target=\"_blank\" rel=\" noopener\">[hal-05021954] Tho-Radia \u00e0 Vichy<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Thierry Lefebvre)<\/a> on 5 avril 2025 <\/small><p>[...]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-04715250v1\" target=\"_blank\" rel=\" noopener\">[hal-04715250] Marie Isabelle (1810-1875)<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Gabrielle Houbre)<\/a> on 3 octobre 2024 <\/small><p>Marie Isabelle est aujourd'hui totalement oubli\u00e9e. Elle a pourtant \u00e9t\u00e9 \u00e0 l'origine d'une r\u00e9volution culturelle. En achetant sa m\u00e9thode de dressage et en lui demandant d'aller l'enseigner dans la prestigieuse Ecole de cavalerie de Saumur, l'arm\u00e9e de Napol\u00e9on III rompt exceptionnellement la [&hellip;]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/u-paris.hal.science\/hal-04597143v1\" target=\"_blank\" rel=\" noopener\">[hal-04597143] Quarante ans apr\u00e8s\u00a0: une \u00ab\u00a0boxe devant le miroir\u00a0\u00bb<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/u-paris.hal.science\" target=\"_blank\" title=\"u-paris.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Josette Pintueles)<\/a> on 4 juin 2024 <\/small><p>[...]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-04501771v1\" target=\"_blank\" rel=\" noopener\">[hal-04501771] \u00ab\u00a0Au XIXe si\u00e8cle, le retour en force d'une sexualit\u00e9 procr\u00e9ative et norm\u00e9e\u00a0\u00bb<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Gabrielle Houbre)<\/a> on 12 mars 2024 <\/small><p>[...]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/lilloa.hal.science\/hal-04468469v1\" target=\"_blank\" rel=\" noopener\">[hal-04468469] Fa\u00e7ades : dessins et films<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/lilloa.hal.science\" target=\"_blank\" title=\"lilloa.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Emmanuelle Andr\u00e9)<\/a> on 20 f\u00e9vrier 2024 <\/small><p>[...]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/lilloa.hal.science\/hal-04359875v1\" target=\"_blank\" rel=\" noopener\">[hal-04359875] Construire la ruine<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/lilloa.hal.science\" target=\"_blank\" title=\"lilloa.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Josephine Jibokji)<\/a> on 21 d\u00e9cembre 2023 <\/small><p>[...]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-04204310v1\" target=\"_blank\" rel=\" noopener\">[hal-04204310] Mit und ohne Fauves : Blicke auf die Prostitution in den Jahren 1900\u20131910<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Gabrielle Houbre)<\/a> on 12 septembre 2023 <\/small><p>Die K\u00fcnstler sind meistens keine Historiografen: F\u00fcr sie ist die Prostitution letztlich vor allem ein Vorwand f\u00fcr die Darstellung weiblicher K\u00f6rper und Akte, Figuren und Pers\u00f6nlichkeiten, und weniger ein Thema, das es in einem bestimmtem geografischen und historischen Kontext zu beleuchten [&hellip;]<\/p><\/div><\/li><li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-04204304v1\" target=\"_blank\" rel=\" noopener\">[hal-04204304] \u00ab With and Without the Fauves : Perspectives on Prostitution in the 1900s \u00bb<\/a><\/span><div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Gabrielle Houbre)<\/a> on 12 septembre 2023 <\/small><p>Most artists are not historiographers, and in much art of this time prostitution tended to be a pretext to paint female nudes and bodies, types and characters, rather than a subject matter through which to represent a particular geographical or historical context. There are, however, two important [&hellip;]<\/p><\/div><\/li><\/ul> <\/div><style type=\"text\/css\" media=\"all\">.feedzy-rss .rss_item .rss_image{float:left;position:relative;border:none;text-decoration:none;max-width:100%}.feedzy-rss .rss_item .rss_image span{display:inline-block;position:absolute;width:100%;height:100%;background-position:50%;background-size:cover}.feedzy-rss .rss_item .rss_image{margin:.3em 1em 0 0;content-visibility:auto}.feedzy-rss ul{list-style:none}.feedzy-rss ul li{display:inline-block}<\/style>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_4,1_4,1_4&Prime; _builder_version=\u00a0\u00bb4.9.0&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_button admin_label=\u00a0\u00bbToutes les publications\u00a0\u00bb button_url=\u00a0\u00bbhttps:\/\/hal-univ-paris.archives-ouvertes.fr\/search\/index\/?q=%2A&amp;structId_i=104384&amp;sort=producedDate_tdate+desc\u00a0\u00bb button_text=\u00a0\u00bbToutes les publications HAL\u00a0\u00bb button_alignment=\u00a0\u00bbleft\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1&Prime; custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_bg_color=\u00a0\u00bb#8a1538&Prime; button_border_width=\u00a0\u00bb2&Prime; button_border_color=\u00a0\u00bb#8a1538&Prime; button_border_radius=\u00a0\u00bb26&Prime; button_icon=\u00a0\u00bb%%20%%\u00a0\u00bb button_icon_color=\u00a0\u00bb#ffffff\u00a0\u00bb button_on_hover=\u00a0\u00bboff\u00a0\u00bb background_layout=\u00a0\u00bbdark\u00a0\u00bb z_index_tablet=\u00a0\u00bb500&Prime; custom_css_after=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb background_layout__hover_enabled=\u00a0\u00bbon\u00a0\u00bb background_layout__hover=\u00a0\u00bblight\u00a0\u00bb button_bg_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_bg_color__hover=\u00a0\u00bb#ffffff\u00a0\u00bb button_icon_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_icon_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb button_text_color__hover_enabled=\u00a0\u00bbon\u00a0\u00bb button_text_color__hover=\u00a0\u00bb#aa004f\u00a0\u00bb custom_css_after__hover_enabled=\u00a0\u00bbon\u00a0\u00bb custom_css_after__hover=\u00a0\u00bbmargin-left: 0!important;\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb button_text_shadow_horizontal_length=\u00a0\u00bbbutton_text_shadow_style,%91object Object%93&Prime; button_text_shadow_vertical_length=\u00a0\u00bbbutton_text_shadow_style,%91object Object%93&Prime; button_text_shadow_blur_strength=\u00a0\u00bbbutton_text_shadow_style,%91object Object%93&Prime;]<\/p>\n<p>[\/et_pb_button][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"feedzy-b33d80f643d2a633d270275350098e95 feedzy-rss\">\n<ul>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-05574861v1\" target=\"_blank\" rel=\" noopener\">[hal-05574861] Cin\u00e9ma, pirogues, et nouveaux mat\u00e9rialismes. Partir avec Sylvain L\u2019Esp\u00e9rance<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Beno\u00eet Turquety)<\/a> on 31 mars 2026 <\/small><\/p>\n<p>[...]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/univ-pantheon-assas.hal.science\/hal-05528446v1\" target=\"_blank\" rel=\" noopener\">[hal-05528446] Radios associatives<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/univ-pantheon-assas.hal.science\" target=\"_blank\" title=\"univ-pantheon-assas.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Thierry Lefebvre)<\/a> on 26 f\u00e9vrier 2026 <\/small><\/p>\n<p>[...]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/univ-angers.hal.science\/hal-05172727v1\" target=\"_blank\" rel=\" noopener\">[hal-05172727] The copper ionophore disulfiram improves mitochondrial function in various yeast and human cellular models of mitochondrial diseases<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/univ-angers.hal.science\" target=\"_blank\" title=\"univ-angers.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Claire Almyre)<\/a> on 21 juillet 2025 <\/small><\/p>\n<p>Abstract The copper ionophore disulfiram (DSF) is commonly used to treat chronic alcoholism and has potential anti-cancer activity. Using a yeast-based screening assay of FDA-approved compounds, DSF was herein identified for its ability to improve oxidative phosphorylation-dependent growth of [&hellip;]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-05021955v1\" target=\"_blank\" rel=\" noopener\">[hal-05021955] Patrimoine cin\u00e9matographique du thermalisme : naissance d\u2019une collection<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Thierry Lefebvre)<\/a> on 5 avril 2025 <\/small><\/p>\n<p>[...]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-05021954v1\" target=\"_blank\" rel=\" noopener\">[hal-05021954] Tho-Radia \u00e0 Vichy<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Thierry Lefebvre)<\/a> on 5 avril 2025 <\/small><\/p>\n<p>[...]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-04715250v1\" target=\"_blank\" rel=\" noopener\">[hal-04715250] Marie Isabelle (1810-1875)<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Gabrielle Houbre)<\/a> on 3 octobre 2024 <\/small><\/p>\n<p>Marie Isabelle est aujourd'hui totalement oubli\u00e9e. Elle a pourtant \u00e9t\u00e9 \u00e0 l'origine d'une r\u00e9volution culturelle. En achetant sa m\u00e9thode de dressage et en lui demandant d'aller l'enseigner dans la prestigieuse Ecole de cavalerie de Saumur, l'arm\u00e9e de Napol\u00e9on III rompt exceptionnellement la [&hellip;]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/u-paris.hal.science\/hal-04597143v1\" target=\"_blank\" rel=\" noopener\">[hal-04597143] Quarante ans apr\u00e8s\u00a0: une \u00ab\u00a0boxe devant le miroir\u00a0\u00bb<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/u-paris.hal.science\" target=\"_blank\" title=\"u-paris.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Josette Pintueles)<\/a> on 4 juin 2024 <\/small><\/p>\n<p>[...]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-04501771v1\" target=\"_blank\" rel=\" noopener\">[hal-04501771] \u00ab\u00a0Au XIXe si\u00e8cle, le retour en force d'une sexualit\u00e9 procr\u00e9ative et norm\u00e9e\u00a0\u00bb<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Gabrielle Houbre)<\/a> on 12 mars 2024 <\/small><\/p>\n<p>[...]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/lilloa.hal.science\/hal-04468469v1\" target=\"_blank\" rel=\" noopener\">[hal-04468469] Fa\u00e7ades : dessins et films<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/lilloa.hal.science\" target=\"_blank\" title=\"lilloa.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Emmanuelle Andr\u00e9)<\/a> on 20 f\u00e9vrier 2024 <\/small><\/p>\n<p>[...]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/lilloa.hal.science\/hal-04359875v1\" target=\"_blank\" rel=\" noopener\">[hal-04359875] Construire la ruine<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/lilloa.hal.science\" target=\"_blank\" title=\"lilloa.hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Josephine Jibokji)<\/a> on 21 d\u00e9cembre 2023 <\/small><\/p>\n<p>[...]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-04204310v1\" target=\"_blank\" rel=\" noopener\">[hal-04204310] Mit und ohne Fauves : Blicke auf die Prostitution in den Jahren 1900\u20131910<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Gabrielle Houbre)<\/a> on 12 septembre 2023 <\/small><\/p>\n<p>Die K\u00fcnstler sind meistens keine Historiografen: F\u00fcr sie ist die Prostitution letztlich vor allem ein Vorwand f\u00fcr die Darstellung weiblicher K\u00f6rper und Akte, Figuren und Pers\u00f6nlichkeiten, und weniger ein Thema, das es in einem bestimmtem geografischen und historischen Kontext zu beleuchten [&hellip;]<\/p>\n<\/div>\n<\/li>\n<li  style=\"padding: 15px 0 25px\" class=\"rss_item\"><span class=\"title\"><a href=\"https:\/\/hal.science\/hal-04204304v1\" target=\"_blank\" rel=\" noopener\">[hal-04204304] \u00ab With and Without the Fauves : Perspectives on Prostitution in the 1900s \u00bb<\/a><\/span>\n<div class=\"rss_content\" style=\"\"><small>by <a href=\"\/\/hal.science\" target=\"_blank\" title=\"hal.science\">ano.nymous@ccsd.cnrs.fr.invalid (Gabrielle Houbre)<\/a> on 12 septembre 2023 <\/small><\/p>\n<p>Most artists are not historiographers, and in much art of this time prostitution tended to be a pretext to paint female nudes and bodies, types and characters, rather than a subject matter through which to represent a particular geographical or historical context. 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