{"id":2628,"date":"2022-01-24T14:51:51","date_gmt":"2022-01-24T13:51:51","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?page_id=2628"},"modified":"2024-05-24T09:31:54","modified_gmt":"2024-05-24T07:31:54","slug":"revue-thaetre","status":"publish","type":"page","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/revue-thaetre\/","title":{"rendered":"Revue tha\u00eatre"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text admin_label=\u00a0\u00bbintro\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbintro\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

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Soutenu par le CERILAC, tha\u00eatre <\/em>est une revue \u00e9lectronique consacr\u00e9e aux arts de la sc\u00e8ne et accessible gratuitement en ligne : https:\/\/www.thaetre.com\/<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 Tous droits r\u00e9serv\u00e9s<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb3_4″][et_pb_text _builder_version=\u00a0\u00bb3.22.1″ module_id=\u00a0\u00bbcontenu\u00a0\u00bb text_text_shadow_horizontal_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_vertical_length=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ text_text_shadow_blur_strength=\u00a0\u00bbtext_text_shadow_style,%91object Object%93″ link_text_shadow_horizontal_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_vertical_length=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ link_text_shadow_blur_strength=\u00a0\u00bblink_text_shadow_style,%91object Object%93″ ul_text_shadow_horizontal_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_vertical_length=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ul_text_shadow_blur_strength=\u00a0\u00bbul_text_shadow_style,%91object Object%93″ ol_text_shadow_horizontal_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_vertical_length=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ ol_text_shadow_blur_strength=\u00a0\u00bbol_text_shadow_style,%91object Object%93″ quote_text_shadow_horizontal_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_vertical_length=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ quote_text_shadow_blur_strength=\u00a0\u00bbquote_text_shadow_style,%91object Object%93″ header_text_shadow_horizontal_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_vertical_length=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_text_shadow_blur_strength=\u00a0\u00bbheader_text_shadow_style,%91object Object%93″ header_2_text_shadow_horizontal_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_vertical_length=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength=\u00a0\u00bbheader_2_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength=\u00a0\u00bbheader_3_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength=\u00a0\u00bbheader_4_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength=\u00a0\u00bbheader_5_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength=\u00a0\u00bbheader_6_text_shadow_style,%91object Object%93″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

Fond\u00e9e en 2016 et actuellement dirig\u00e9e par Armelle Talbot, la revue tha\u00eatre <\/em>privil\u00e9gie l\u2019interdisciplinarit\u00e9 (outre les \u00e9tudes litt\u00e9raires et th\u00e9\u00e2trales, nombre de contributions rel\u00e8vent des sciences humaines, philosophie, sociologie, histoire, anthropologie…) et r\u00e9serve une grande place au dialogue avec les artistes (grands entretiens, carnets de cr\u00e9ation, publication d\u2019in\u00e9dits, pi\u00e8ces ou extraits). Ax\u00e9e sur la p\u00e9riode contemporaine, la revue tha\u00eatre <\/em>emprunte son nom \u00e0 un passage de L\u2019Achat de cuivre <\/em>de Brecht et se montre particuli\u00e8rement attentive \u00e0 l\u2019inscription des arts de la sc\u00e8ne dans le champ social, qu\u2019il s\u2019agisse des enjeux abord\u00e9s par les pi\u00e8ces et les spectacles ou de leurs modes de production et de diffusion. De plus, elle s\u2019emploie \u00e0 mettre \u00e0 profit les possibilit\u00e9s offertes par les outils num\u00e9riques en multipliant les formats et en accueillant de nombreux documents (textes, photographies, dessins, sons, vid\u00e9os\u2026).<\/p>\n

Dernier article en ligne<\/a><\/p>\n

La revue fait alterner num\u00e9ros th\u00e9matiques de grande ampleur et articles publi\u00e9s isol\u00e9ment. Sept de ces num\u00e9ros sont d\u00e9j\u00e0 sortis \u00e0 ce jour :<\/p>\n

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  1. Sc\u00e8nes du n\u00e9omanagement<\/em><\/strong><\/a> (coord. B\u00e9r\u00e9nice Hamidi-Kim et Armelle Talbot, 2016) avec les contributions de L\u2019Amicale de production, L\u2019Avantage du doute, Alexandra Badea, Emmanuel B\u00e9hague, Pauline Bouchet, Thibaud Croisy, Marie-Anne Dujarier, B\u00e9r\u00e9nice Hamidi-Kim, St\u00e9phane Herv\u00e9, Lumi\u00e8re d\u2019ao\u00fbt, Jean-Charles Massera, Philippe Malone, Bruno Meyssat, Anne Monfort, Gwena\u00ebl Morin, Magali Mougel, Luca Paltrinieri, P\u00f4le Nord, Julien Pr\u00e9vieux, Falk Richter, Armelle Talbot, Cyril Teste et Vincent Thomasset<\/li>\n
  2. La R\u00e9volution selon Pommerat<\/em><\/strong><\/a> (coord. Fr\u00e9d\u00e9rique A\u00eft-Touati, B\u00e9r\u00e9nice Hamidi-Kim, Tiphaine Karsenti et Armelle Talbot, 2017) avec les contributions de Fr\u00e9d\u00e9rique A\u00eft-Touati, Ir\u00e8ne Bonnaud, Patrick Boucheron, Marion Boudier, \u00c9ric Feldman, B\u00e9r\u00e9nice Hamidi-Kim, Tiphaine Karsenti, Florence Lotterie, Sophie Lucet, Guillaume Mazeau, Olivier Ritz, Armelle Talbot et Sophie Wahnich<\/li>\n
  3. Th\u00e9\u00e2tre et recherche. Histoire et exp\u00e9rimentations<\/em><\/strong><\/a> (coord. G\u00e9raldine Pr\u00e9vost et Quentin Rioual, 2018) avec les contributions de Claire Besuelle, Marcus Borja, Juliette Cleuziou, Catherine Courtet, Cristina De Simone, Quentin Fondu, Jean-Michel Frodon, Gabrielle Girot, Martin Givors, Keti Irubetagoyena, Mireille Losco-L\u00e9na, Marie-Madeleine Mervant-Roux, Catherine Naugrette, Fr\u00e9d\u00e9rice Plazy, G\u00e9raldine Pr\u00e9vost, Donato Ricci, Quentin Rioual, Jean-Loup Rivi\u00e8re, Adeline Rosenstein, Klaas Tindemans, Victor Thimonier et Aude Thuries<\/li>\n
  4. Climats du th\u00e9\u00e2tre au temps des catastrophes. Penser et d\u00e9centrer l\u2019anthropo-sc\u00e8ne<\/em><\/strong><\/a> (coord. Fr\u00e9d\u00e9rique A\u00eft-Touati et B\u00e9r\u00e9nice Hamidi-Kim, 2019), avec Fr\u00e9d\u00e9rique A\u00eft-Touati, \u00c9liane Beaufis, Cyril Casm\u00e8ze, Una Chaudhuri, Soma Chiaki, Micha\u00ebl Cros, Patrick De Vos, Cl\u00e9ment Dumas, Charlotte Durand, Lisiane Durand, Jade Duviquet, Duncan Evenou, Fr\u00e9d\u00e9ric Ferrer, \u00c9milie Flacher, Flore Garcin-Marrou, Iwaki Kyoko, Cl\u00e9mence Hall\u00e9, B\u00e9r\u00e9nice Hamidi-Kim, Bruno Latour, Carl Lavery, Sirine Majdi-Vichot, Margaux Le Mignan, Emma Merabet, Brunot Meyssat, Philippe Quesne, Corentin Rostollan-Sinet, Beno\u00eet Sicat, Anne Simon, Pol Tronco et Aline Wiame<\/li>\n
  5. Machin la Hernie\u00a0: th\u00e9\u00e2tre monstre<\/em><\/strong><\/a> (coord. Julie Peghini et Jean-Christophe Goddard, 2020), avec les contributions de Jean-Paul Delore, Alice Desquilbet, Jean-Christophe Goddard, Xavier Garnier, Annie Le Brun, Nicolas Martin-Granel, Dieudonn\u00e9 Niangouna, Julie Peghini, Joseph Tonda et Patrice Yengo<\/li>\n
  6. Baroque is burning\u00a0!<\/strong><\/a> (coord. P\u00e9n\u00e9lope Dechaufour et Marine Roussillon, 2022), avec les contributions de R\u00e9mi Astruc, Christian Biet, Sylvie Chalaye, Manuel Charpy, L\u00e9onor Delaunay, Bintou Demb\u00e9l\u00e9, P\u00e9n\u00e9lope Dechaufour, Pablo Grand-Mourcel, Cal Hunt, Madison Mainwaring, No\u00e9mie Ndiaye, Robyn Orlin, Hugo R\u00e9aut\u00e9, Marine Roussillon, Feroz Sahoulamide et Maboula Soumahoro<\/li>\n
  7. Document-mat\u00e9riau<\/a><\/strong>\u00a0(coord. Marion Boudier et Chlo\u00e9 D\u00e9chery, 2022), avec les contributions de\u00a0Fr\u00e9d\u00e9rique A\u00eft-Touati,\u00a0Loup Balthazar,\u00a0Nicolas Bouchaud,\u00a0Marion Boudier,\u00a0Charlotte Bouteille,\u00a0Tom Cantrell,\u00a0Romain David,\u00a0Chlo\u00e9 D\u00e9chery,\u00a0Aurore Despr\u00e9s,\u00a0Duncan Evennou,\u00a0Tomas Gonzalez,\u00a0Patrick Laffont de Lojo,\u00a0Emmanuelle Lafon,\u00a0Camille Louis,\u00a0Ross Louis,\u00a0\u00c9ric M\u00e9choulan,\u00a0Anne Pellois et\u00a0Nicolas Rollet<\/li>\n<\/ol>\n

    \u00a0<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.19.11″ custom_padding=\u00a0\u00bb0px||0px|\u00a0\u00bb inner_width=\u00a0\u00bbauto\u00a0\u00bb inner_max_width=\u00a0\u00bbnone\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.19.11″ width=\u00a0\u00bb80%\u00a0\u00bb max_width=\u00a0\u00bb1080px\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbArticles similaires\u00a0\u00bb _builder_version=\u00a0\u00bb3.16.1″]<\/p>\n

    \u00c0<\/span> lire aussi<\/h2>\n

    [\/et_pb_text][et_pb_blog _builder_version=\u00a0\u00bb3.21″ posts_number=\u00a0\u00bb4″ include_categories=\u00a0\u00bb38,45,14,12,11,15,1,13″ show_author=\u00a0\u00bboff\u00a0\u00bb show_date=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb border_width_bottom_fullwidth=\u00a0\u00bb1px\u00a0\u00bb border_color_bottom_fullwidth=\u00a0\u00bbrgba(51,51,51,0.18)\u00a0\u00bb custom_padding=\u00a0\u00bb||50px|\u00a0\u00bb module_id=\u00a0\u00bbpage_type_blog\u00a0\u00bb header_level=\u00a0\u00bbh4″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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    Soutenu par le CERILAC, tha\u00eatre est une revue \u00e9lectronique consacr\u00e9e aux arts de la sc\u00e8ne et accessible gratuitement en ligne : https:\/\/www.thaetre.com\/ <\/p>\n

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    \u00a9 Tous droits r\u00e9serv\u00e9s <\/p>\n

    <\/div>\n

    Fond\u00e9e en 2016 et actuellement dirig\u00e9e par Armelle Talbot, la revue tha\u00eatre privil\u00e9gie l\u2019interdisciplinarit\u00e9 (outre les \u00e9tudes litt\u00e9raires et th\u00e9\u00e2trales, nombre de contributions rel\u00e8vent des sciences… Lire la suite Revue tha\u00eatre<\/span><\/a><\/p>\n","protected":false},"author":73,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2628","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/pages\/2628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/comments?post=2628"}],"version-history":[{"count":13,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/pages\/2628\/revisions"}],"predecessor-version":[{"id":4504,"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/pages\/2628\/revisions\/4504"}],"wp:attachment":[{"href":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/wp-json\/wp\/v2\/media?parent=2628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}