{"id":2071,"date":"2021-05-25T15:21:25","date_gmt":"2021-05-25T13:21:25","guid":{"rendered":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/?page_id=2071"},"modified":"2024-11-19T13:43:33","modified_gmt":"2024-11-19T12:43:33","slug":"architecture-et-arts","status":"publish","type":"page","link":"https:\/\/wordpress-test.app.u-pariscite.fr\/cerilac\/axes-de-recherche\/architecture-et-arts\/","title":{"rendered":"Architecture et Arts"},"content":{"rendered":"

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Co-responsables: Patricia Luce Limido et Didier Laroque<\/strong> L\u2019axe \u00ab\u00a0Architecture et arts\u00a0\u00bb rassemble les enseignants-chercheurs dont les recherches et travaux concernent plusieurs disciplines : la th\u00e9orie de l\u2019architecture, l\u2019esth\u00e9tique et la philosophie de l\u2019art.<\/div>\n<\/div>\n<\/div>\n

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L\u2019axe Architecture et Arts est n\u00e9 au cours de l\u2019ann\u00e9e 2021, \u00e0 l\u2019initiative de Patricia Luce Limido pour le CERILAC et de coll\u00e8gues de l\u2019\u00e9cole nationale d\u2019architecture de Paris-Val-de-Seine. Il rassemble les enseignants-chercheurs dont les recherches et travaux concernent plusieurs disciplines : la th\u00e9orie de l\u2019architecture, l\u2019esth\u00e9tique et la philosophie de l\u2019art. Il trouve son origine dans les \u00e9changes et journ\u00e9es d\u2019\u00e9tudes organis\u00e9es par le CERILAC et l\u2019ENSAPVS, conduites par Evelyne Grossman, Jacqueline Nacache et Alain Guiheux, et dans la cr\u00e9ation en 2015 d\u2019un doctorat en Architecture \u00ab Architecture, Culture, Projet \u00bb rattach\u00e9 \u00e0 l\u2019ED 131.<\/p>\n

Les champs d\u2019interrogation de l\u2019axe souhaitent embrasser \u00e0 la fois des analyses relevant de la production et de la th\u00e9orie du projet architectural et des analyses orient\u00e9es vers les diverses dimensions humaines et existentielles de l\u2019habiter. Ces champs peuvent en ce sens int\u00e9resser non seulement les \u00e9tudiants en architecture mais encore les \u00e9tudiants en arts et en esth\u00e9tique, dans la mesure o\u00f9 la litt\u00e9rature, le cin\u00e9ma comme la musique sont aussi soucieux des formes, des espaces, des lieux et des temps, des atmosph\u00e8res des environnements des multiples mondes, r\u00e9els et fictifs, qu\u2019ils traversent.<\/p>\n

Cette double approche voudrait favoriser la constitution d\u2019une histoire contemporaine des th\u00e9ories et des repr\u00e9sentations, la mise \u00e0 jour de concepts, de nouvelles typologies et de nouvelles esth\u00e9tiques.<\/p>\n

Les \u00e9volutions soci\u00e9tales, techniques et \u00e9conomiques, et surtout tr\u00e8s singuli\u00e8rement d\u00e9sormais les bouleversements \u00e9cologiques produisent des transformations dans la production architecturale, dans les nouvelles attentes des usagers comme des collectivit\u00e9s locales : nouvelles approches de l\u2019urbain durable, nouvelle place \u00e0 donner aux vivants et au v\u00e9g\u00e9tal, nouveaux d\u00e9sirs d\u2019habiter. Parall\u00e8lement, l\u2019implication des habitants et des arts participatifs, les d\u00e9marches artistiques et \u00e9cologiques men\u00e9es par des collectifs d\u2019artistes, d\u2019urbanistes et d\u2019architectes visent \u00e0 renouveler la morphologie et les ambiances de nos environnements. L\u2019axe a pour ambition de comprendre et de stimuler l\u2019invention de ces nouvelles typologies.<\/p>\n

Par sa dimension transversale et pluridisciplinaire, cet axe s\u2019adresse \u00e0 tous les doctorants de l\u2019ED 131 qui s\u2019int\u00e9ressent aux enjeux contemporains de la cr\u00e9ation et du vivre ensemble, dans le cadre red\u00e9fini de l\u2019anthropoc\u00e8ne.<\/p>\n

L\u2019axe intervient selon plusieurs modes\u00a0: les s\u00e9minaires et des \u00e9v\u00e8nements associ\u00e9s qui se d\u00e9finiront occasionnellement.<\/p>\n